Darkest Hour stands apart from more routine historical dramas.
An in-depth preview of the films, including rarities and restorations, playing in the Noir City: Chicago 8 program at the Music Box Theatre.
Recently I found myself, for the fifth time, among the denizens of a place that celebrates my favorite cinematic genre: the historic Castro Theatre in San Francisco, home of the Film Noir Foundation's 11th Annual Noir City Film Festival. The 27-film retrospective, which ran Jan. 25 to Feb. 3, featured newly restored prints, thanks to the Film Noir Foundation, as well as obscure films that may not have been seen in decades.
A visit to Mexico, in nine acts.