Darkest Hour stands apart from more routine historical dramas.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A tribute to the great Mario Bava, whose films will be shown at the Quad starting today.
A preview of Chicago's second-annual DOC10 Film Festival, highlighting eight films including "The Cinema Travelers," "Whose Streets?" and "Rat Film."
An article about the second annual DOC10 Film Festival scheduled to run Thursday, March 30th through Sunday, April 2nd in Chicago.
Grateful for a scrap of melody.
Meredith Brody recaps the films she saw, of past and present, at the 2016 Telluride Film Festival.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Glenn Kenny.
Writer Glenn Kenny responds to our Movie Love Questionnaire.
Scorsese, De Niro reuniting on a new gangster film; Zadie Smith on life, death, Warhol; Spike Lee speaks; our ancestors didn't sleep like us; Van Sant to headline a LGBT film fest in St. Petersburg.
Michael Caton-Jones' 1989 film "Scandal" begins amidst an atmosphere of gaiety and innocence at the start of the 1960s. Bright, resplendent, sparkling visions burst before our eyes. Soon the tones will become darker. "Scandal" chronicles the multi-faceted sex scandal that erupted in the "you've never had it so good" British Tory prime minister Harold Macmillan's conservative government in 1963.
Somebody named Michael Jones -- essentially the same Mr. Jones Bob Dylan wrote about years ago -- appeared on HuffPo recently with a piece called "That Steely Dan Moment" -- you know, about a discovery of musical taste that makes you wonder if you could ever love the person who possesses it. The twist is that he's the one who falls short and doesn't know it. Turn up the Eagles, the neighbors are listening, Mr. Jones.
Anyway, I wouldn't have paid attention except that his story (who knows where or when it originally appeared if it was on HuffPo) reminded me of an article my friend Julia Sweeney did for the February, 1993, issue of SPIN magazine that was written and edited by the staff of "Saturday Night Live." It probably wasn't an entirely original idea then, either, but it was called "Men, Music & Me," and in it she discussed her assessments of collegiate and post-collegiate boyfriends -- using their cinematic and musical tastes as a guide. (Please also see my entry on Carl Wilson's book, "Let's Talk About Love: A Journey to the End of Taste.")