Audry’s work challenged social constructs dictating how a woman should behave and desire, in part motivated by how she was treated within the industry.
An in-depth preview on the classic noir films that will be playing at Chicago's Music Box Theater from Sept. 6-12.
A posthumous tribute to two male directors who encouraged audience identification with women onscreen and made opportunities for female film artists.
Vikram Murthi on three more films that screened as part of MOMA's To Save and Project Festival, including titles by Ida Lupino and Chantal Akerman.
An article about MoMA's To Save and Project Restoration Festival and its January 18th screening of "Cane River."
The legendary actress fought to break the bonds the studio system placed upon her.
Difficult is a gendered term fueled by the Hollywood machine and maintained by the belief that actresses aren’t responsible for the achievement of their films.
A report from AFI Fest on a special presentation of 1929's "Piccadilly," as part of a tribute to tragic screen diva Anna May Wong.
An in-depth preview of the films, including rarities and restorations, playing in the Noir City: Chicago 8 program at the Music Box Theatre.
A reposting of Tina Hassannia's article from Movie Mezzanine, and the response it received from Peter Becker, president of the Criterion Collection.
Sheila writes: It's Ebertfest week! I hope to see some of you there. It's going to be a wonderful week! You'll find lots of links below about the Ebertfest films and panels. In the meantime, I wanted to share a really fun link I found this week, showing vintage photographs of the elaborate set for Alfred Hitchcock's "Rear Window." It's pretty extraordinary stuff! And because it's always good to check in with Roger Ebert on all things cinematic, now is as good a time as ever to re-visit his Great Movies review of "Rear Window."
Sheila writes: Alex Nunez at Road & Track put together a totally entertaining slideshow of actors and their cool cars. Clark Gable, Steve McQueen, Elizabeth Taylor, Ida Lupino, Jack Nicholson, Clint Eastwood, the list goes on and on. The cars are almost as cool as the folks driving them (and in some cases cooler).
Sheila writes: This week, on Rogerebert.com, we celebrate the women writers on the site, with tons of great content, all of it written by women. Chaz Ebert shares some introductory words for this weeklong project, which had been a dream of Roger's as well. The Table of Contents will be updated as the week goes on. Keep checking back!
Critic Carrie Rickey traces the evolution of women on film and behind the camera over the course of her career writing about film.
Susan Seidelman has been making films for over 30 years. Her work includes "Desperately Seeking Susan," the pilot for "Sex and the City," and her new sports comedy "The Hot Flashes." Her story is the story of women in Hollywood: a study in creativity, courage and strength. A profile by RogerEbert.com's Christy Lemire.
Marie writes: Holy crap! THE KRAKEN IS REAL!" Humankind has been looking for the giant squid (Architeuthis) since we first started taking pictures underwater. But the elusive deep-sea predator could never be caught on film. Oceanographer and inventor Edith Widder shares the key insight - and the teamwork - that helped to capture the squid on camera for the first time, in the following clip taken from her recent TED talk." And to read more about the story, visit Researchers have captured the first-ever video footage of a live giant squid at i09.com
"In that case I'll get in touch with Chic Sale." -- Groucho Marx, "Animal Crackers" (1930)
"Adam 1-3's incipient negritude will come as a pleasant surprise to his honorary Aquarium parents, Ralph Bunche and Ida Lupino." -- Firesign Theatre, "Don't Crush That Dwarf, Hand Me the Pliers" (1970)
The awesomely prolific Matt Zoller Seitz (no, he's still got just the two kids, but he's been writing a lot of good stuff lately -- mostly in his capacity as the new TV columnist for Salon.com) recently asked the musical question: "When a comedy builds a lot of its identity around pop culture references, is it hastening its own irrelevance?" -- or, "Will future generations understand 'The Simpsons'?" (I think the term "ask the musical question" is a pop culture reference, but I'll be darned if I can find out where it originated.)
Matt writes of watching one of the great "Simpsons" episodes ("Krusty Gets Kancelled") with his kids and laughing at references that pre-dated their pop-cultural awareness (like, back before Arnold Schwarzenegger was a governor):