Richard Jewell
Eastwood’s conceptions of heroism and villainy have always been, if not endlessly complex, at least never simplistic.
Hitoshi Matsumoto
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R100 (2015)
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Director, Screenplay
Simon Abrams -
Big Man Japan (2009)
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Directed by
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
#67 June 15, 2011
Marie writes: Some of you may have noticed that I have a soft spot for surfing videos. It's not the sport itself - though I do admire it - so much as the camerawork it inspires, and because I have a translucency fetish; I take great pleasure in seeing light pass through something else. There's an ethereal and other-worldly quality to it which elevates my soul; sunlight pouring through a humble jar of orange marmalade enough to make me think I'm looking at God; smile.And so needless to say, when Club member Lynn McKenzie submitted a link to Paul McCartney's stunning new music video called "Blue Sway" - I was utterly captivated. (click image to enlarge.)
This just in: Hip-hop robots in Transformers are only robots
Q. Good calls on "The Searchers", but there's also this: It's the grave marker -- her grand-mother's -- that Debbie is sent out to hide behind when the Comanches attack, where Scar finds her. It allows us to raise the question of Ethan being a man who hates Comanches because of what they are or because of what some of them did. The inscription on the marker itself is virtually invisible in the movie. It says, "Here lies Mary Jane Edwards. Killed by Commanches May 12, 1852. A good wife and mother in her 41st year." I obtained it through a computer screen capture -- technology unavailable to anyone in a movie audience in 1956. I think the question of who was meant to see it is pretty obvious; it was there for Wayne to see.
