Blog Posts That Mention Field
Field Notes: Navigating Its First Film Festival
Cortlyn Kelly
American Pastime: On the Sustained Power of Field of Dreams
Gerardo Valero
MLB The Show 21 Continues Field Dominance
Brian Tallerico
Young at Heart: Sally Field on “Hello, My Name is Doris”
Susan Wloszczyna
Syd Field, 1935-2013
Bob Calhoun
Zombies in the Outfield and Cats in the Owner’s Box; the Top Ten Odd and Overlooked Baseball Movies
Bob Calhoun
Oscar Buzz Part Two: Zach with Bradley Cooper, Jessica Chastain, Sally Field & a guest from Lincoln
Roger Ebert
“Hurt Locker” sweeps the field in Chicago Film Critics’ Awards
Roger Ebert
Plowing Field’s won’t grow business
Roger Ebert
It’s time to save Field’s
Roger Ebert
Sweating for love and respect: Remembering Rodney Dangerfield
Roger Ebert
Rodney Dangerfield on the set of “Easy Money”
Roger Ebert
2026 Karlovy Vary International Film Festival Preview: 10 Films We Can’t Wait to See
Robert Daniels
Deborah Nadoolman Landis Pays Tribute to Costume Design Legend Albert Wolsky
Deborah Landis
“The Chestnut Man: Hide and Seek” is a Serviceably Grim Nordic Noir Thriller
Lacy Baugher
DOC10 Spotlights Some of the Best Documentaries You’ll See This Year
Brian Tallerico
The Eight Best Episodes of Netflix’s “Untold” Series, Ranked
Brian Tallerico
Netflix’s “Big Mistakes” Starts Off Feeling Small but Settles into Its Best Self
Brian Tallerico
Short Films in Focus: Trapped (with Sam Cutler-Kreutz)
Collin Souter
Hulu’s “The Testaments” Returns to Gilead For Another Timely Tale About Privilege and Complicity
Lacy Baugher
Lisa Kudrow Makes An Extremely Welcome “Comeback” to HBO
Jen Chaney
SXSW 2026: The Sun Never Sets, A Safe Distance, Seahorse
Brian Tallerico
If We Picked the Winners: The 98th Academy Awards
Brian Tallerico
Who Will Remember You?: “The Secret Agent” and the Humanities as Resistance
Daniella Mazzio
The Mysteries of Dorothy Vallens: On Isabella Rossellini in “Blue Velvet”
Willow Maclay
Home Entertainment Guide February 2026: “Predator: Badlands,” “Song Song Blue,” “A Little Prayer,” More
Brian Tallerico
The Play’s the Thing with MGM+’s Charming Ode to the Theater, “American Classic”
Richard Roeper
Laughs Come Consistently in NBC’s Clever “The Fall and Rise of Reggie Dinkins”
Brian Tallerico
Hulu’s “Paradise” Splits Its Focus And Gets More Frustratingly Unhinged In Season 2
Clint Worthington
Book Excerpt: The World of Black Film: A Journey Through Cinematic Blackness in 100 Films by Ashley Clark
Robert Daniels
The Eye of a Camera: Frederick Wiseman (1930-2026)
Matt Zoller Seitz
Remembering the Forgotten Movies of the 2026 Oscar Season
Tim Grierson
Sundance 2026: Levitating, Kikuyu Land, Sentient
Robert Daniels
Sundance 2026: Extra Geography, Filipiñana, The Huntress
Peyton Robinson
Sundance 2026: Bedford Park, Ha-Chan Shake Your Booty, Take Me Home
Robert Daniels
Sundance 2026: Joybubbles, Soul Patrol, Who Killed Alex Odeh?
Robert Daniels
Sundance 2026: Once Upon a Time in Harlem, Wicker, The Gallerist
Robert Daniels
The 8 Biggest Snubs of the 2026 Oscar Nominations
Daniel Joyaux
2026 Oscar Nominations Predictions in the Major Categories
Daniel Joyaux
Peacock’s “Ponies” Offers Unbridled Spy Intrigue For Its Two Female Leads
Rendy Jones
A Brilliant Actor and Even Better Person: Isiah Whitlock Jr. (1954-2025)
Brian Tallerico
Season 4 of HBO’s “Industry” Is a Relentlessly Thrilling Series Best
Kaiya Shunyata
Cute Chaos: Penny Lane on “Happy And You Know It”
Clint Worthington
The Great Performances of 2025
The Editors
The Ten Best Films of 2025
The Editors
HBO’s “Heated Rivalry” is the Sexiest and Most Significant Queer Show of the Year
Kaiya Shunyata
“Call of Duty: Black Ops 7” Signals a Franchise in Stasis
Brian Tallerico
Joy in Racing to Keep Up: Tom Stoppard (1937-2025)
Brian Tallerico
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