Blog Posts That Mention Field
American Pastime: On the Sustained Power of Field of Dreams
Gerardo Valero
MLB The Show 21 Continues Field Dominance
Brian Tallerico
Young at Heart: Sally Field on “Hello, My Name is Doris”
Susan Wloszczyna
Syd Field, 1935-2013
Bob Calhoun
Zombies in the Outfield and Cats in the Owner’s Box; the Top Ten Odd and Overlooked Baseball Movies
Bob Calhoun
Oscar Buzz Part Two: Zach with Bradley Cooper, Jessica Chastain, Sally Field & a guest from Lincoln
Roger Ebert
“Hurt Locker” sweeps the field in Chicago Film Critics’ Awards
Roger Ebert
Plowing Field’s won’t grow business
Roger Ebert
It’s time to save Field’s
Roger Ebert
Sweating for love and respect: Remembering Rodney Dangerfield
Roger Ebert
Rodney Dangerfield on the set of “Easy Money”
Roger Ebert
The 20 Best Films of 2025 So Far
The Editors
Cannes 2025: The Secret Agent, The Love That Remains, Magellan
Ben Kenigsberg
Lookin’s Free: Joe Don Baker (1936-2025)
Scout Tafoya
Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration
Monica Castillo
Cannes 2025: Sound of Falling, Reedland
Brian Tallerico
Screen Scholars Assemble in Chicago Despite Culture Warfighters Defunding Universities
Bill Stamets
“Hacks” Returns at the Peak of Its Comedic Powers
Brian Tallerico
What to Watch on Netflix: April 2025
Brian Tallerico
Ambient Comedy: Carson Lund on “Eephus”
Isaac Feldberg
SXSW Film Festival 2025: Are We Good?, I’m Carl Lewis!, Strange Journey: The Story of Rocky Horror
Zachary Lee
Prime Video’s “The Wheel of Time” Finally Comes Into Its Own With Season Three
Kaiya Shunyata
SXSW Film Festival 2025: Ghost Boy, The Secret of Me, Take No Prisoners
Brian Tallerico
The Idealist’s Journey
Mira Singer
Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey”
Marya E. Gates
I Think Of Them As The Work: Gene Hackman (1930-2025)
Scout Tafoya
A Mathematical Explanation of What is Going to Win Best Picture This Year
Daniel Joyaux
If We Picked the Winners: The 97th Academy Awards
Brian Tallerico
Pixar’s Charming but Compromised “Win or Lose” Catches A Few Foul Balls
Rendy Jones
Talkin’ About His Generation: New Book Chronicles the Making of Millennial Touchstone “Superbad”
Donald Liebenson
A Look at Every Oscar-Nominated Short This Year
Collin Souter
The PlayStation 5 Pro: A System Built for Hardcore Gamers
Brian Tallerico
Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”
Marya E. Gates
Sundance 2025: Marlee Matlin: Not Alone Anymore, SALLY, Selena y Los Dinos
Monica Castillo
Sundance 2025: If I Had Legs I’d Kick You, The Thing with Feathers, Rabbit Trap
Brian Tallerico
Sundance 2025: Twinless, Ricky, Jimpa
Robert Daniels
Ten Shocking Omissions from the 2025 Oscar Nominations
Daniel Joyaux
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
Brian Tallerico
Have a Great Day: David Lynch (1946-2025)
Brian Tallerico
Book Excerpt: Foreword to The Wes Anderson Collection: Asteroid City by David Bordwell
The Editors
The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”
Isaac Feldberg
14 Underrated Movies of 2024
The Editors
The Great Craft of 2024
The Editors
No Box He Won’t Escape From: James Mangold on “A Complete Unknown”
Clint Worthington
2025 Sundance Film Festival Announces Ambitious Program
Brian Tallerico
Female Filmmakers in Focus: Marielle Heller on “Nightbitch”
Marya E. Gates
Miyazaki, Howl, and Matters of the Heart
Ally Johnson
Our Film Has A Power: Basel Adra and Yuval Abraham on No Other Land
Isaac Feldberg
CIFF 2024: On the Legacy and Importance of The Spook Who Sat by the Door
Robert Daniels
CIFF 2024: The Return of the Projectionist, Between Goodbyes, The Brink of Dreams
Cortlyn Kelly
Short Films in Focus: Fleshwork (with Director Lydia Cornett)
Collin Souter
Home Entertainment Guide: September 2024
Brian Tallerico
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