Surrogates
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Directed Movie Reviews
Blog Posts That Mention Directed
Steve Martin Is an Auteur Without Having Directed a Thing
Looking Back at the Films Directed by the Late John Singleton
The Life of a Woman, Directed by Women: A Video Essay
AFI Fest 2016: The First Film Noir Directed by a Woman, Ida Lupino’s “The Hitch-Hiker”
Sony Pictures Classics Celebrates 25 Years of Female-Directed Films
No Home Video: On Women-Directed Films
Campaign directed against ‘Beautiful’ is ugly, unwarranted
Who directed this shot?
Directed by David Mamet
If David Lynch directed Michael Jackson’s life story
Retreating From The Elephant: The Perpetually Impending Demise of Indie Cinema
Tribeca 2026: The Documentaries
The King of TV Comedy: James Burrows (1940-2026)
Out of the Mouths of Cutlery: Tony Hale on “Toy Story 5”
Courtney Grace, “Disclosure Day,” and the One-Scene Wonder
Uncomfortable Truths: “Set It Off,” “Girl 6,” and “Naked Acts” at 30
Hard Knocks and Rebirth in the Bayou: Alfre Woodard in “Passion Fish”
What is the State of the Black Movie Star?
When Sci-fi Was Horny: “Logan’s Run” at 50
Bentonville Film Festival 2026 Preview
The 20 Best Films of 2026 So Far
Words Are Also Filters: Marjane Satrapi (1969-2026)
Female Filmmakers in Focus: Milagros Mumenthaler on “The Currents”
Ten Great Performances of Cannes 2026
Cannes 2026: The Dreamed Adventure, Too Many Beasts, Women on Trial, Che Guevara: The Last Companions
Cannes 2026: The Birthday Party, When the Night Falls
Cannes 2026: The Man I Love, Orange-Flavoured Wedding
Cannes 2026: Minotaur, Red Rocks
Cannes 2026 Video #6: Club Kid, Paper Tiger, Clarissa
This Year’s Ebert Fellows Reflect on the 2026 True/False Film Festival
Cannes 2026: Paper Tiger, Sheep in the Box
Cannes 2026 Video #3: Nagi Notes, Camp Miasma, Werner Herzog
Cannes 2026: Nagi Notes, Ashes
Netflix Turns Up the “Heat” With Its Own “Power” in Hokey Crime Thriller “Nemesis”
Notes from the Red Carpet of the 2026 Chicago Critics Film Festival
A Fond Farewell to Our Critic Monica Castillo
Cannes 2026 Video #1: The 79th Cannes Film Festival Begins!
How “In a Lonely Place” Changed Noir’s Direction
Home Entertainment Guide April 2026: Send Help, 28 Years Later: The Bone Temple, Highest 2 Lowest, More
Male Directors Can’t Stop Making Movies About Female Pop Stars
Love’s in Need of Love Today: Reflections on EbertFest, Cinema, and Empathy
Apple’s Twisted “Widow’s Bay” is Like Nothing Else on Television
The Eight Best Episodes of Netflix’s “Untold” Series, Ranked
“Get Out” Star Betty Gabriel and “Nuremberg” Director James Vanderbilt to Attend Ebertfest 2026
The Best Version of the Thing: Steven Soderbergh on “The Christophers”
MGM+’s Cult Hit “From” Wanders Through Frustrating Yet Addictive Fourth Season
Full Schedule for Ebertfest 2026 Released and Individual Tickets Now On Sale
“Help Me To Find Kokumo”: A Guide To Beyond Chicago
Ebertfest Announces Expanded Lineup, Special Guests, and Final Festival Programming for “The Last Dance” Edition
SXSW 2026: The Peril at Pincer Point, American Dollhouse, Anima
SXSW 2026: Beyond the Duplex Planet, Cornbread Mafia, My Brother’s Killer
12 Films We Can’t Wait to See at the SXSW Film Festival
If We Picked the Winners: The 98th Academy Awards
Why Ryan Coogler Should Win Best Director for “Sinners”
To the Film Industry in Crisis, A Look Back At Hollywood In 1926
I’ve Started Seeing Somebody: The Monstrous-Masculine in Larry Fessenden’s “Habit”
All the Days of My Life: On Elaine May’s “A New Leaf”
Female Filmmakers in Focus: Grace Glowicki on “Dead Lover”
A Case of Identity Crisis: “Young Sherlock” Suffers From Too Many Ideas
Ebertfest Unveils Initial Slate for Final Festival, “The Last Dance”
Twisty, Funny HBO’s “DTF St. Louis” is an Addictive Watch
Christy Lemire Bids a Fond Farewell to RogerEbert.com
“Resident Evil: Requiem” is a Perfect Evolution of Past Successes
Life Within the Lens Celebrates Black Filmmaking
CBS’s “CIA” Refuses to Read the Room
Celebrating Black Cinema: Shawn Edwards on the Black Movie Hall of Fame
Highlights of Roger Ebert on Black Filmmakers for Black History Month
The Eye of a Camera: Frederick Wiseman (1930-2026)
Something Lasting and Unforgettable: Robert Duvall (1931-2026)
Short Films in Focus: The 2026 Oscar-Nominated Shorts
Book Excerpt: STEVE JOBS MONOGRAPH, Edited by B.C. Wallin
Sundance 2026: The Best Summer, Saccharine, Rock Springs
Sundance 2026: When a Witness Recants, Time and Water, Antiheroine
Home Entertainment Guide January 2026: “One Battle After Another,” “Tron: Ares,” “Wicked: For Good,” More
Sundance 2026: The Disciple, Jane Elliott Against the World, Troublemaker
Turns and Tonal Shifts: Jason Biggs and Meaghan Rath on “Untitled Home Invasion Romance”
Sundance 2026: Leviticus, Buddy, Mum I’m Alien Pregnant
Sundance 2026: Birds of War, One in a Million, Silenced
Sundance 2026: I Want Your Sex, The Incomer, Paralyzed by Hope: The Maria Bamford Story
Lightning in a Bottle: Angus MacLachlan on “A Little Prayer”
FOX’s “Memory of a Killer” Can’t Remember Why It Exists
The 17 Best Movies About Radio, Ranked
2026 Sundance Preview: 20 Films We Can’t Wait to See
HBO’s “A Knight of the Seven Kingdoms” Is The Best Fantasy Adaptation of the Decade
Glitz and Glamour: A Report from the 2026 Palm Springs Festival Gala
Long Awaited Second Season of “The Night Manager” Is More Gripping Than Ever
To Love Each Other: Jean-Pierre and Luc Dardenne on “Young Mothers”
Female Filmmakers in Focus: Rebecca Zlotowski on “A Private Life”
40 Shows We Can’t Wait to Watch in 2026
40 Movies We Can’t Wait to See in 2026
Panahi & Kiarostami: Two Masters
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
It’s Stephen King’s World: How the Writer Became the King of Hollywood Again in 2025
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
Ecstasy and Agony: Mona Fastvold on “The Testament of Ann Lee”
The Great Craft of 2025
The 25 Best TV Shows of 2025
As You Wish: Rob Reiner (1947-2025)
