A Hidden Life
It’s one of the year’s best and most distinctive movies, though sure to be divisive, even alienating for some viewers, in the manner of nearly…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An in-depth preview on the classic noir films that will be playing at Chicago's Music Box Theater from Sept. 6-12.
May 2014 Blu-rays of note.
Glenn Kenny highlights the picks of Blu-ray releases for the month of November
Laird Jimenez, Thomas Swenson and staffers at Seattle's famous Scarecrow Video have put together a list of movie references and influences they have found in Quentin Tarantino's "Inglorious Basterds." In the introduction ("Before They Were Basterds, Jimenez opines that "IB" is perhaps Tarantino's "most deft handling of reference and homage yet.... Some of these films are directly referenced in the film, others are only evoked, while others still are films we simply felt should go on the list."
A few samples:
Action in Arabia Featured in Tarantino's list of top five WWII pictures, also stars George Sanders on whose film persona the Archie Hicox (Michael Fassbender) character seemed to be modeled.
Battleship Potemkin Eli Roth watched this for inspiration before making the "Nation's Pride" film within the film, and the famous gunshot to the eye image appears recreated in "Nation's Pride."
Le Corbeau Shows at Shosanna's theater, Le Gamaar. A classic anti-collaborationist satire from director Clouzot. This film got Clouzot in trouble with the resistance and the Reich.
Leave it to Quentin Tarantino to find a climax unique in the history of war movies. Also trust QT to get away with a war movie that consists largely of his unique dialog style, in which a great deal of action is replaced by talk about the possibilities of action. His "Inglourious Basterds," which premiered Wednesday morning here at Cannes, is a screenplay eight years in the writing, and you can't fill 148 minutes with descriptions of special effects. At least not if you're a motormouth like Tarantino.
My review will await the film's August 21 opening. I know, I wrote a lot about "Antichrist," but with this one I'd like to hold out until opening day. No, that doesn't mean I disliked it. It means it inspired other kinds of thoughts--about Cannes, Tarantino, and the way the movie industry seems to be going these days.