
Super Troopers 2
This sequel isn't just more of the same from Broken Lizard—it's a lot more, and for no good reason.
This sequel isn't just more of the same from Broken Lizard—it's a lot more, and for no good reason.
William Friedkin, the director of "The Exorcist," documents what might be a real-life exorcism.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
A closer look at the 13 reviews by Roger Ebert chosen for the front page today to mark the anniversary of Roger's passing and the…
A collection of memories from fans of Roger Ebert.
A new video essay explores the uncanny durability of "Invasion of the Body Snatchers"
Starring Dwayne Johnson and other giant creatures.
Some directors are all about the visual symbolism, but Forman was more of a people-watcher.
After all these years it’s hard for me to say if “Earthquake” is either a guilty pleasure or a movie so bad that it’s good.
A table of contents for all of our Ebertfest 2018 coverage.
Ebert Fellow Tyler Panlilio reports from Ebertfest on the Q&A panel for "Columbus."
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
"You hope it's not the year," Cate Blanchett quipped during her "Carol" press conference, referring to a publication claiming 2015 would be the "year of women." Her statement is representative of the discourse at this year's Cannes Film Festival, regarding the role of women in film both in front of and behind the camera, according to RogerEbert.com publisher Chaz Ebert. In her second video report from the festival, Ebert rounds up some of the most impressive female performances at this year's festival, while offering footage of acclaimed selections such as Joachim Trier's "Louder Than Bombs" and the new Pixar release, "Inside Out," due to open in U.S. theaters on June 19th. Ebert also reminds viewers that Billy Baxter's invaluable time capsule, the 52-minute documentary, "Diary of the Cannes Film Festival," will be available to watch for free on Vimeo through Sunday, May 24th.
For more Cannes coverage at RogerEbert.com, visit our table of contents.
RogerEbert.com: Cannes 2015 Report 2 from The Mint on Vimeo.
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A new video essay explores the uncanny durability of "Invasion of the Body Snatchers"
This message came to me from a reader named Peter Svensland. He and a fr...