Matthew McConaughey discusses his role in “Dallas Buyers Club”
Matthew McConaughey talks about how he is dealing with the Oscar buzz around his “Dallas Buyers Club” performance.
Matthew McConaughey talks about how he is dealing with the Oscar buzz around his “Dallas Buyers Club” performance.
Mark your calendar for April 23–27, 2014 and get your pass while they last.
Donald Liebenson picks his favorite piece of Roger’s writing.
Jared Leto stayed in character as a transsexual for the entire shooting schedule of “Dallas Buyers Club.” He talks about why he did it and what he learned.
Seongyong Cho’s review of “The Act of Killing”
Writer Simon Abrams responds to our Movie Love Questionnaire.
An open letter from Woody Allen; an Edna Krabappel tribute; the possibility of a “Prometheus 2”; why film festivals reject good films; the return of “Black Angel” (the film meant to precede “Empire Strikes Back”).
The logic of “stupid poor people”; the retrogression of “Boondock Saints”; Zizek and Chomsky documentaries; David Simon on “12 Years a Slave”; a case for theological studies.
Ken Loach sends out editing distress signal, Pixar answers; Twitter changes the role of the literary critic for better and worse; Oliver Stone reminisces on his postwar experience as a New York film student studying under Martin Scorsese; marching band does incredible, incredible stuff.
On writing for free (don’t do it!); the aftermath of “12 Years a Slave”; erasing John Wayne; Halloween spell-ings; bad writer, bad person?
Lou Reed dead at 71; more “Blue Is the Warmest” controversies; a survey of Orson Welles biographies; is consensus ruining criticism?; the cultural crater of “12 Years a Slave.”
“The Wes Anderson Collection” video essay series finishes with a look at the director’s 2012 hit “Moonrise Kingdom,” the tale of a young love that throws a small community into turmoil.
“The Wes Anderson Collection” video essay series continues with a look at the director’s sprightly adaptation of Roald Dahl’s classic children’s novel.
Ridley Scott’s new film, whose production was interrupted by the suicide of the director’s brother Tony, is a weird melding of their styles, concerns and temperaments.
A documentary about Tahrir Square and the Egyptian Revolution has evolved along with the story.
Twenty years ago, promising actor River Phoenix died at 23. His last, unfinished film was “reconstructed” and shown at festivals earlier this year. The making of that film was already difficult before his death.
A documentary about wounded veterans that Roger championed gets a screening at the Rehabilitation Institute of Chicago and screenings in New York and Los Angeles before a showing on PBS.
The title of the second episode of NBC’s “Dracula” may be called “A
Whiff of Sulfur” but the program has a different, stale odor, feeling
like the product of inevitability more than creative spark.