Thumbnails 11/14/14
“Raiders” remake nearly complete; Mind-trick to improve movies; Lincoln, Malick and “The Better Angels”; “Follow That Bird” is indelibly tragic; Age-subtracting men are multiplying.
“Raiders” remake nearly complete; Mind-trick to improve movies; Lincoln, Malick and “The Better Angels”; “Follow That Bird” is indelibly tragic; Age-subtracting men are multiplying.
Retire the Disney Death; Seven problems with “Interstellar”; Cubicles on the rise; John Oliver is outdoing “The Daily Show”; Ernie Hudson is haunted by “Ghostbusters.”
A review of Starz’s new mini-series “The Missing.”
The Chicago Shakespeare Theater receives the 2014 National Arts and Humanities Youth Program Award.
An obituary for Will Kilkeary, proprietor of O’Rourke’s Bar in Chicago.
An FFC report on “Doraemon Stand by Me.”
An interview with Oscar winner Hilary Swank, star of Tommy Lee Jones’ “The Homesman.”
A report from the macing incident at yesterday’s AFI screening.
An interview with Bennett Miller, director of “Foxcatcher,” “Moneyball” and “Capote.”
An excerpt from “Missing Reels” by Farran Smith Nehme.
A recap of the culture and best of the 2014 New Orleans Film Festival.
The November Bright Wall/Dark Room Excerpt on Alfred Hitchcock’s “Shadow of a Doubt.”
“The Homestretch,” Anne De Mare and Kirsten Kelly’s acclaimed documentary, returns to the Gene Siskel Film Center on Friday, November 21st.
A piece on our obsession with anti-heroes, and an argument for the rewarding arc of the likable character.
My stepfather, the peeping tom; The Overnighters is a rare bird; Nightcrawler and capitalism; Grace McPhillips on The Other One; Restoring Ramona.
A report on Japanese animation at the 27th Tokyo Film Festival.
A recap of the new releases on Netflix, On Demand, and Blu-ray/DVD, including “Snowpiercer,” “Maleficent,” “Nightbreed,” “F For Fake” and “La Dolce Vita.”
An interview with Eddie Redmayne, star of James Marsh’s “The Theory of Everything.”
“Nightcrawler” and the new face of entitlement; “Suffering for their art” films; Fight against TV’s “smooth motion” setting; Suicide and silence; Oliver Stone to make Snowden film.