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The Guilty

With its single setting and real-time story, The Guilty is a brilliant genre exercise, a cinematic study in tension, sound design, and how to make…

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Halloween

Do you know the biggest sin of the new Halloween? It’s just not scary. And that’s one thing you could never say about the original.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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The heart of the world and other organs: The singular cinema of Guy Maddin

Hank Sartin of Time Out Chicago, Guy Maddin and Chaz Ebert at Ebertfest 2009. • • •Guy Maddin's films look like no others I have ever seen, so why do they remind me of something? Why do they feel like I've seen them before? How do they remind me of memories I don't have? • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

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