Surrogates
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Directed
Directed Movie Reviews
Blog Posts That Mention Directed
Steve Martin Is an Auteur Without Having Directed a Thing
Looking Back at the Films Directed by the Late John Singleton
The Life of a Woman, Directed by Women: A Video Essay
AFI Fest 2016: The First Film Noir Directed by a Woman, Ida Lupino’s “The Hitch-Hiker”
Sony Pictures Classics Celebrates 25 Years of Female-Directed Films
No Home Video: On Women-Directed Films
Campaign directed against ‘Beautiful’ is ugly, unwarranted
Who directed this shot?
Directed by David Mamet
If David Lynch directed Michael Jackson’s life story
NYFF 25: The Currents, Gavagai, Is This Thing On?
The Darkest Samurai Film Ever Made: Toshio Matsumoto’s “Shura”
You Play Well: Diane Keaton (1946-2025)
What Really Matters is What You Like: “High Fidelity” at 25
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
The Most Beautiful Italian Girl in Tunisia: Claudia Cardinale (1938-2025)
NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry
The Golden Boy: 11 of Our Favorite Robert Redford Performances
Chloe Zhao’s “Hamnet” Wins the TIFF People’s Choice Award
TIFF 2025: Blue Heron, Amoeba, Meadowlarks
TIFF 2025: Dust Bunny, The Furious, Normal
TIFF 2025: Fuze, Glenrothan, The Last Viking
TIFF 2025: The Voice of Hind Rajab, Unidentified, The Fence
TIFF 2025: Obsession, Honey Bunch, Whitetail
Venice Film Festival 2025: Broken English, The Wizard of the Kremlin, No Other Choice, In the Hand of Dante
Back to Duality: James Sweeney and Dylan O’Brien on “Twinless”
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Something Wretched This Way Comes in the Second Half of “Wednesday” Season Two
Female Filmmakers in Focus: Sierra Falconer on “Sunfish (& Other Stories on Green Lake)”
Venice Film Festival 2025: The Biennale College
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
Venice Film Festival 2025: Ghost Elephants, Jay Kelly, Bugonia, Cover-Up, After the Hunt
Time for Kick-Off: The 11 Best Football Movies (and Where to Watch Them)
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
British Banter Envy: Jay Roach and Tony McNamara on “The Roses”
The Most Significant Movie Ever Made
You Don’t Know What Your Time Is Like Until Later: Alex Russell on “Lurker”
Locarno Film Festival 2025: 14 Films Commemorating Postwar Britain
Locarno Film Festival 2025: Prejudice Across the Pond in “Pool of London” and “The Story of a Three-Day Pass”
Locarno Film Festival 2025: “Tabi to Hibi,” “Hair, Paper, Water…,” “Yakushima’s Illusion”
Hawaiian Shirts Are Great to Fight In: Bob Odenkirk on “Nobody 2”
Locarno Film Festival 2025: Blue Heron, Dracula, Legend Of The Happy Worker
USA’s “The Rainmaker” is a Traditional TV Legal Drama
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
Apple TV+, Seth Rogen Continue Hot Streaks with Second Season of “Platonic”
San Diego Comic-Con 2025: Aliens and Activations
Two Become One: Dave Franco, Alison Brie, and Michael Shanks on “Together”
Fantasia 2025: The Serpent’s Skin, The Well, Sweetness
One of Us: Malcolm-Jamal Warner (1970-2025)
DVD/Blu-Ray Guide July 2025: “A Minecraft Movie,” “Final Destination: Bloodlines,” “The Legend of Ochi,” More
Fantasia 2025: Terrestrial, Hold the Fort, Good Boy
Book Excerpt: It Can’t Rain All the Time by Alisha Mughal
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women
Introduction to the 59th Karlovy Vary International Film Festival
Music to Make A Man Fly: The Power of John Williams’ Theme to “Superman”
A Chicago Star: A Conversation with Michael Madsen
American Badass: Michael Madsen (1957-2025)
I Am a Writer: “Wonder Boys” Turns 25
Female Filmmakers in Focus: Victoria Mahoney on “The Old Guard 2”
A Dispatch From the Bentonville Film Festival
59th Karlovy Vary International Film Festival to Honor Stellan Skarsgård, Vicky Krieps, Dakota Johnson and Peter Sarsgaard
Ossie Davis and Ruby Dee
Blood and Soap Bubbles on the Surface of Netflix’s “The Waterfront”
“Zola,” “Anora,” and the DEI Mirage
Tribeca Film Festival 2025: The Narrative Features
Tribeca Film Festival 2025: The Documentaries
The 20 Best Films of 2025 So Far
Female Filmmakers in Focus: Marva Nabili on “The Sealed Soil”
Cannes 2025 Video #7: Critics’ Roundtable
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Cannes 2025: Eagles of the Republic, Once Upon a Time in Gaza
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
Cannes 2025: The Little Sister, The Wave
Cannes 2025: Left-Handed Girl, Sirât
Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration
Cannes 2025: Two Prosecutors, Adam’s Sake, Promised Sky
Cannes Film Festival 2025: A Look at the Cannes Classics Program
Season 2 of Peacock’s “Poker Face” Deals Natasha Lyonne Another Hand of Devilishly Delightful Mysteries
Wisdom of the Sages: Warren Buffet, Deborah Szekely, Buddy Guy, and Pope Francis Show Us the Way
The 2025 TCM Classic Film Festival
What to Watch on Netflix: May 2025
Chicago Critics Film Festival 2025 Preview
The Dream Within the Fairy Tale: Emilie Blichfeldt on “The Ugly Stepsister”
“North of North” Carefully Balances Darkness and Charm
Chicago Critics Film Festival Announces Full Schedule, Special Guests
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
Female Filmmakers in Focus: The Films of Euzhan Palcy
What to Watch on Netflix: April 2025
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
Creating a Meta-Rom-Com: Karen Morey and Terence Chen on “Meet Cute in Manhattan”
The Ebert Fellows on True/False 2025
Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
Finding a Way Home: André Holland Never Rests
Age Has No Expiration When It Comes to Talent
Brian Tyree Henry Does His Best to Carry Apple TV’s Explosive “Dope Thief”
SXSW Film Festival 2025: One More Shot, Mermaid, Sweetness
