Surrogates
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Directed Movie Reviews
Blog Posts That Mention Directed
Steve Martin Is an Auteur Without Having Directed a Thing
Looking Back at the Films Directed by the Late John Singleton
The Life of a Woman, Directed by Women: A Video Essay
AFI Fest 2016: The First Film Noir Directed by a Woman, Ida Lupino’s “The Hitch-Hiker”
Sony Pictures Classics Celebrates 25 Years of Female-Directed Films
No Home Video: On Women-Directed Films
Campaign directed against ‘Beautiful’ is ugly, unwarranted
Who directed this shot?
Directed by David Mamet
If David Lynch directed Michael Jackson’s life story
Sundance 2026: Birds of War, One in a Million, Silenced
Sundance 2026: I Want Your Sex, The Incomer, Paralyzed by Hope: The Maria Bamford Story
Lightning in a Bottle: Angus MacLachlan on “A Little Prayer”
FOX’s “Memory of a Killer” Can’t Remember Why It Exists
The 17 Best Movies About Radio, Ranked
2026 Sundance Preview: 20 Films We Can’t Wait to See
HBO’s “A Knight of the Seven Kingdoms” Is The Best Fantasy Adaptation of the Decade
Glitz and Glamour: A Report from the 2026 Palm Springs Festival Gala
Long Awaited Second Season of “The Night Manager” Is More Gripping Than Ever
To Love Each Other: Jean-Pierre and Luc Dardenne on “Young Mothers”
Female Filmmakers in Focus: Rebecca Zlotowski on “A Private Life”
40 Shows We Can’t Wait to Watch in 2026
40 Movies We Can’t Wait to See in 2026
Panahi & Kiarostami: Two Masters
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
It’s Stephen King’s World: How the Writer Became the King of Hollywood Again in 2025
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
Ecstasy and Agony: Mona Fastvold on “The Testament of Ann Lee”
The Great Craft of 2025
The 25 Best TV Shows of 2025
As You Wish: Rob Reiner (1947-2025)
Sundance Film Festival Announces 2026 Line-Up
The Ten Best Films of 2025
RescueFest Opens with Restoration of Steve Buscemi’s Wonderful “Trees Lounge”
Female Filmmakers in Focus: Tamara Kotevska on “The Tale of Silyan”
Join Chaz Ebert at the Critic’s Cut 2025 Event at FACETS
Palm Springs Film Festival Announces 2026 Lineup
Joy in Racing to Keep Up: Tom Stoppard (1937-2025)
Wong Kar-wai’s Gorgeous, Captivating “Blossoms Shanghai” Arrives on the Criterion Channel
I’m Just An Actor: Rebuilding Roles with Josh O’Connor
It’s The Funniest Shit: Hikari on ‘Rental Family’
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
Tokyo Film Festival 2025: Journey into Sato Tadao
HBO’s “The Seduction” Surprises without Sizzle
Adaptation is About Subtraction: James Vanderbilt on “Nuremberg”
Female Filmmakers in Focus: Sepideh Farsi on “Put Your Soul on Your Hand and Walk”
A Preview of the 2025 Black Harvest Film Festival
“Silent Hill f” Sends Gamers to a New Destination in a Terrifying Universe
CIFF 2025: One Golden Summer, Before the Call, Adult Children, Only Heaven Knows
11 Times That D’Angelo Made a Movie Better with his Music
The 11 Best Body-Swap Movies, Ranked
NYFF 25: The Currents, Gavagai, Is This Thing On?
The Darkest Samurai Film Ever Made: Toshio Matsumoto’s “Shura”
You Play Well: Diane Keaton (1946-2025)
What Really Matters is What You Like: “High Fidelity” at 25
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
The Most Beautiful Italian Girl in Tunisia: Claudia Cardinale (1938-2025)
NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry
The Golden Boy: 11 of Our Favorite Robert Redford Performances
Chloe Zhao’s “Hamnet” Wins the TIFF People’s Choice Award
TIFF 2025: Blue Heron, Amoeba, Meadowlarks
TIFF 2025: Dust Bunny, The Furious, Normal
TIFF 2025: Fuze, Glenrothan, The Last Viking
TIFF 2025: The Voice of Hind Rajab, Unidentified, The Fence
TIFF 2025: Obsession, Honey Bunch, Whitetail
Venice Film Festival 2025: Broken English, The Wizard of the Kremlin, No Other Choice, In the Hand of Dante
Back to Duality: James Sweeney and Dylan O’Brien on “Twinless”
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Something Wretched This Way Comes in the Second Half of “Wednesday” Season Two
Female Filmmakers in Focus: Sierra Falconer on “Sunfish (& Other Stories on Green Lake)”
Venice Film Festival 2025: The Biennale College
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
Venice Film Festival 2025: Ghost Elephants, Jay Kelly, Bugonia, Cover-Up, After the Hunt
Time for Kick-Off: The 11 Best Football Movies (and Where to Watch Them)
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
British Banter Envy: Jay Roach and Tony McNamara on “The Roses”
The Most Significant Movie Ever Made
You Don’t Know What Your Time Is Like Until Later: Alex Russell on “Lurker”
Locarno Film Festival 2025: 14 Films Commemorating Postwar Britain
Locarno Film Festival 2025: Prejudice Across the Pond in “Pool of London” and “The Story of a Three-Day Pass”
Locarno Film Festival 2025: “Tabi to Hibi,” “Hair, Paper, Water…,” “Yakushima’s Illusion”
Hawaiian Shirts Are Great to Fight In: Bob Odenkirk on “Nobody 2”
Locarno Film Festival 2025: Blue Heron, Dracula, Legend Of The Happy Worker
USA’s “The Rainmaker” is a Traditional TV Legal Drama
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
Apple TV+, Seth Rogen Continue Hot Streaks with Second Season of “Platonic”
San Diego Comic-Con 2025: Aliens and Activations
Two Become One: Dave Franco, Alison Brie, and Michael Shanks on “Together”
Fantasia 2025: The Serpent’s Skin, The Well, Sweetness
One of Us: Malcolm-Jamal Warner (1970-2025)
DVD/Blu-Ray Guide July 2025: “A Minecraft Movie,” “Final Destination: Bloodlines,” “The Legend of Ochi,” More
Fantasia 2025: Terrestrial, Hold the Fort, Good Boy
Book Excerpt: It Can’t Rain All the Time by Alisha Mughal
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women
Introduction to the 59th Karlovy Vary International Film Festival
Music to Make A Man Fly: The Power of John Williams’ Theme to “Superman”
