Surrogates
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Directed Movie Reviews
Blog Posts That Mention Directed
Steve Martin Is an Auteur Without Having Directed a Thing
Looking Back at the Films Directed by the Late John Singleton
The Life of a Woman, Directed by Women: A Video Essay
AFI Fest 2016: The First Film Noir Directed by a Woman, Ida Lupino’s “The Hitch-Hiker”
Sony Pictures Classics Celebrates 25 Years of Female-Directed Films
No Home Video: On Women-Directed Films
Campaign directed against ‘Beautiful’ is ugly, unwarranted
Who directed this shot?
Directed by David Mamet
If David Lynch directed Michael Jackson’s life story
The 20 Best Films of 2025 So Far
Female Filmmakers in Focus: Marva Nabili on “The Sealed Soil”
Cannes 2025 Video #7: Critics’ Roundtable
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Cannes 2025: Eagles of the Republic, Once Upon a Time in Gaza
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
Cannes 2025: The Little Sister, The Wave
Cannes 2025: Left-Handed Girl, Sirât
Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration
Cannes 2025: Two Prosecutors, Adam’s Sake, Promised Sky
Cannes Film Festival 2025: A Look at the Cannes Classics Program
Season 2 of Peacock’s “Poker Face” Deals Natasha Lyonne Another Hand of Devilishly Delightful Mysteries
Wisdom of the Sages: Warren Buffet, Deborah Szekely, Buddy Guy, and Pope Francis Show Us the Way
The 2025 TCM Classic Film Festival
What to Watch on Netflix: May 2025
Chicago Critics Film Festival 2025 Preview
The Dream Within the Fairy Tale: Emilie Blichfeldt on “The Ugly Stepsister”
“North of North” Carefully Balances Darkness and Charm
Chicago Critics Film Festival Announces Full Schedule, Special Guests
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
Female Filmmakers in Focus: The Films of Euzhan Palcy
What to Watch on Netflix: April 2025
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
Creating a Meta-Rom-Com: Karen Morey and Terence Chen on “Meet Cute in Manhattan”
The Ebert Fellows on True/False 2025
Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
Finding a Way Home: André Holland Never Rests
Age Has No Expiration When It Comes to Talent
Brian Tyree Henry Does His Best to Carry Apple TV’s Explosive “Dope Thief”
SXSW Film Festival 2025: One More Shot, Mermaid, Sweetness
Short Films in Focus: David and Sam Cutler-Kreutz on “A Lien”
The Idealist’s Journey
People Have Theories: “Picnic at Hanging Rock” at 50
The Antidote for Fear: Natalie Morales on “My Dead Friend Zoe”
Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey”
Writing Her Way: Marya E. Gates on Her New Book
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
Screwball in Vermont: “Baby Boom”
Pay Attention Now: Gretchen Mol and Juliana Margulies on “Millers in Marriage”
Fantastical Season 3 of AMC’s “Dark Winds” Is an Electrifying Series Best
What to Watch on Netflix: March 2025
A Preview of the 2025 Rendez-Vous with French Cinema
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
Movies to Watch if You Love Bad Bunny
Talkin’ About His Generation: New Book Chronicles the Making of Millennial Touchstone “Superbad”
Brenda Robinson, Acting President of Film Independent, Set to Preside Over 40th Spirit Awards; Aidy Bryant Cheerfully Returns as Host
A Look at Every Oscar-Nominated Short This Year
Navigating Sundance as a First Timer
“El Norte” Screening Commemorates Sundance Institute History at Pivotal Moment
What to Watch on Netflix: February 2025
Sundance 2025: Life After, Sugar Babies, Seeds
Sundance 2025: Train Dreams; Sorry, Baby
Sundance 2025: The Librarians, Middletown, Speak.
Sundance 2025: Come See Me In The Good Light, Move Ya Body, Deaf President Now!
Sundance 2025: Rebuilding, Together, Peter Hujar’s Day
Ten Shocking Omissions from the 2025 Oscar Nominations
Roger Ebert (and More) on David Lynch
Dream of Death: Robert Eggers on “Nosferatu”
Peter Berg Shows the Ugly Side of American History With the Frustrating “American Primeval”
Female Filmmakers in Focus: Maura Delpero on “Vermiglio”
14 Underrated Movies of 2024
The Wicked Witch Is Dead: The Double-Bind of the Villainess’s Backstory
The Great Craft of 2024
Sony’s “Frank Capra at Columbia” 4K Box Set Encapsulates One of America’s Great Filmmakers
“Squid Game” Returns with Sharp Filmmaking, New Ideas in a Transitional Season
The Great Performances of 2024, Part Two
The 10 Best Horror Films of 2024
The 25 Best TV Series of 2024
Two Thumbs Up! The Individual Top Tens of 2024
We Need Art More Than Ever: Jude Law, Jurnee Smollett on “The Order”
Margo Martindale Anchors the Clever, “Fargo”-esque Tale of “The Sticky”
Home Entertainment Guide: November 2024
Colman Domingo Propels Phenomenally Entertaining “The Madness”
Miyazaki, Howl, and Matters of the Heart
Sharp, Propulsive “The Agency” Should Appeal to Fans of Spy Fiction
Black Harvest Film Festival 2024: Disco Afrika, It Was All a Dream, Dreams Like Paper Boats
Apocalypse Then: Godzilla Minus One Minus Color
Time Moves On: Jesse Eisenberg on “A Real Pain”
Female Filmmakers in Focus: Hannah Peterson on “The Graduates”
Short Films in Focus: Don Hertzfeldt’s “ME”
Tokyo International Film Festival 2024: Orang Ikan, Missing Child Videotape, Kiyoshi Kurosawa
Malcolm Washington, John David Washington, Danielle Deadwyler on the Power of “The Piano Lesson”
CIFF 2024: Compensation, The Spook Who Sat by the Door, Save the Children
10 Great Horror Films from 2024 (and Where to Watch Them)
Home Entertainment Guide: October 2024
André Holland Talks Deleted Scenes from “42”
Silence As Salvation: The Quiet Femmes of Modern Horror
