It’s exciting to see Shyamalan on such confident footing once more, all these years later.
Ben Whishaw in a stinky place in "Perfume."
Roger Ebert on "Perfume: The Story of a Murderer": "Why I love this story, I do not know. Why I have read the book twice and given away a dozen copies of the audiobook, I cannot explain. There is nothing fun about the story, except the way it ventures so fearlessly down one limited, terrifying, seductive dead end, and finds there a solution both sublime and horrifying. It took imagination to tell it, courage to film it, thought to act it, and from the audience it requires a brave curiosity about the peculiarity of obsession."
Jim Emerson on "Letters from Iwo Jima": "In both his films, Eastwood empathizes with the "expendable" soldier on the ground, the "poor bastard" who is only a pawn in a war conceived by generals and politicians, some of whom have never come anywhere near a battlefield or a combat zone. And Eastwood fully commits to a boots-on-the-ground POV: The raising of the American flag, presented as a routine, off-hand task to the soldiers in "Flags of Our Fathers" (2007)(and which would have remained that way if a photographer had not been present), is only glimpsed obliquely from afar by the Japanese in "Letters from Iwo Jima." Life or death, heroism or folly: It all comes down to which side you're on, and which piece of ground you're occupying, at any given moment in the battle."
This message came to me from a reader named Peter Svensland. He and a fr...
Chaz Ebert highlights films with the potential to get us through the confusing political times of the Trump presidenc...
A review of Netflix's new series, Lemony Snicket's "A Series of Unfortunate Events," which premieres January 13.
One of the most audacious American films from the 1960s is now available via the Criterion Collection.