Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
James Toback discusses his new documentary, "Seduced and Abandoned," which traces the life of a failed movie project. He also discusses the ultimate fate of…
Steven Soderbergh's "Behind the Candelabra" disappoints, Claire Denis's "Bastards" baffles, and Mahamat-Saleh Haroun's "Grisgris" is a mixed bag. So it goes sometimes at Cannes.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…
Named after the David Cronenberg film, this is the blog of RogerEbert.com founding editor Jim Emerson, where he has chronicled his enthusiasms and indulged his whims since 2005. Favorite subjects include evidence-based movie criticism, cinematic form and style, comedy, logical reasoning, language, journalism, technology, epistemology and fun. No topic is off-limits, but critical thinking is required.
Each of these astonishing "cinematoGIFs" (animated .GIF files) by Gusaf Mantel distills the essence of a cinematic moment into a living, breathing "movie still" -- an indelible moment preserved in time. Once you start gazing into them, you'll find it hard to stop...
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Above: The apes and the monolith: "2001: A Space Odyssey" (Stanley Kubrick, 1968).
Below: The tension of Travis Bickle, keeping his television perpetually balanced on the edge of smashing to the floor: "Taxi Driver" (Martin Scorsese, 1976).
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Above: Chewing up the scenery in the War Room: "Dr. Strangelove" (Stanley Kubrick, 1964).
Below: Cigarette burns: "Fight Club" (David Fincher, 1999).
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Above: Waiting for the elevator. Forever: "Eraserhead" (David Lynch, 1977).
Below: Light of my life, fire of my loins... The image that will never age: "Lolita" (Stanley Kubrick, 1962).
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Above: House of rain: "Solaris" (Andrei Tarkovsky, 1972).
Below: On the verge of rebirth: "2001: A Space Odyssey" (Stanley Kubrick, 1968).
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Above: Stasis: "L'eclisse" (Michelangelo Antonioni, 1962).
Below: "All those moments will be lost in time like tears in the rain.... Time to die.": "Blade Runner" (Ridley Scott, 1982).
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Above: "Audition" (Takashi Miike, 2000).
Explore the full gallery here.
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Above: It's only a movie: "Peeping Tom" (Michael Powell, 1960).
(tip: @bournecinema)
Next Article: In the Cut, Part I: Shots in the Dark (Knight) Previous Article: Agents of chaos
James Toback discusses his new documentary, "Seduced and Abandoned," which traces the life of a failed movie project....
Steven Soderbergh's "Behind the Candelabra" disappoints, Claire Denis's "Bastards" baffles, and Mahamat-Saleh Haroun'...
The competition film "A Castle in Italy," a lightweight comedy, seems strangely out of place.
Boos for Takashi Miike's "Shield of Straw," a muddled "Blind Detective" from Johnnie To and Paolo Sorrentino's "The G...