Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
This is all I ask of a movie about teenagers: That they be as smart, as confused, as good-hearted and as insecure as the kids I went to high school with. Such characters are so rare that when you encounter them in a movie like "Show Me Love," they belong to a different species than the creatures in the weekly Hollywood teenager picture.
"Show Me Love" is set in Sweden but could be set in any American small town where kids believe they are desperate outcasts in a cultural backwater. Elin (Alexandra Dahlstrom), one of the girls in the film, pages through a teen magazine and despairs when she finds that raves are "out": Her town is so behind the times that stuff is out before it even gets there. She is bored, bored, bored. She wants to be a model but is even bored with that.
The movie is also about Agnes (Rebecca Liljeberg), who moved to the town more than a year ago but still has few friends; she's an outsider at school because students whisper she's a lesbian. They have no reason to think that, but they're right. She has a crush on Elin and locks herself in her room to write her love letters on her computer. One day at a party, a girlfriend bets Elin she won't kiss Agnes, and she does, sending the wrong message to Agnes, who doesn't know about the bet.
This sounds, I know, like the setup for a sexcom, or maybe one of those Swedish romps of long ago ("Therese and Isabelle" comes to mind). What I haven't conveyed is the sweetness, tenderness and naivete of all of these scenes, in which both girls are essentially wandering cluelessly through half-understood life choices. What they find at the end of the film is not romance so much as self-knowledge and fortitude and a disdain for "popularity." The movie (which outgrossed "Titanic" to become the most successful film in Swedish history) is not a story of heroines and villains. Everyone in it is more or less on the same moral plane. It is not about distant and blockheaded parents (the parents express love and understanding as best they can, and we sympathize with their attempts to make sense of adolescent despair). It isn't about any of the standard characters (the stupid principal, the class nerd, the social snob) who wander through most Hollywood teenage movies on autopilot. It's about these specific people and their lives.