It’s exciting to see Shyamalan on such confident footing once more, all these years later.
"Rain Without Thunder" is the longest 85-minute movie I have ever seen. It slogs on, minute by dreary minute, through a lugubrious plot in which everything is made clear in the first five minutes and redundant in the next. I felt like I was watching a bad newscast in slow-motion.
The time is the year 2042. America looks much the same as today, except the men dress like "Star Trek" extras. Abortion has been made a major crime, and the penalties are draconian. The heroine (Ali Thomas) and her mother (Betty Buckley) have been convicted under the recently enacted Unborn Child Kidnapping Act, on charges of flying to Sweden to seek an abortion.
The movie intends to show us the frightening possibilities of anti-abortion legislation, and its pro-choice position is made clear by the photos of an aged Dan Quayle on the walls, and the naming of a women's prison after George Bush's second home, Walker's Point. Given their way and following their logic, the movie argues, the anti-abortionists will eventually pass laws punishing abortion in the same way as kidnapping and murder.
Of course that would be perfectly logical. If abortion is murder, then it should be punished in the same way; women who have abortions should be executed or imprisoned for life, and abortionists should be tried as accomplices. The failure of anti-abortion groups to advocate the death penalty for abortionists and their clients shows either a lack of conviction about their central premise, or a lack of the nerve to follow it to its obvious conclusion.
Chaz Ebert highlights films with the potential to get us through the confusing political times of the Trump presidenc...
This message came to me from a reader named Peter Svensland. He and a fr...
One of the most audacious American films from the 1960s is now available via the Criterion Collection.
A review of Netflix's new series, Lemony Snicket's "A Series of Unfortunate Events," which premieres January 13.