In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_alice_through_the_looking_glass

Alice Through the Looking Glass

There is no magic, no wonder, just junk rehashed from a movie that was itself a rehash of Lewis Carroll, tricked out with physically unpersuasive…

Thumb_balpko1iwwmmxte0ffzy9fw3jid

Of Men and War

Bécue-Renard brings his own brutality to the topic of PTSD, by putting us at odds with feeling his subjects' pain, or only studying it.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Reviews

My Afternoons With Marguerite

My Afternoons With Marguerite Movie Review
  |  

Germain is a handyman in a sloppy flannel shirt and overalls, overweight and hulking. Margueritte is a little (85 pounds) old (95 years) lady. They meet on a park bench, where both know that exactly 14 pigeons hang out there, and both recognize them by sight.

Germain may be a hulk (he's played by Gerard Depardieu, who certainly is). But he is gentle and has a good heart, despite having been treated with cruelty by a mother who still survives to make his life miserable. He lives in a small trailer parked near his childhood home and lovingly tends his garden, where his mother displays sporadic violence against leeks.

Margueritte is played by Gisele Casadesus, now 97, who made her first film in 1934 as a member of Comedie Francaise. She is so slight and fragile she reminds Germain of a glass figure. She once worked for the World Health Organization, now lives in a retirement home with her beloved books.

Germain believes he cannot read. Actually, we discover later, he was taught to read but never taught to have a shred of self-confidence. She begins to read to him — The Plague by Camus — and he is an ideal listener. With her as his catalyst, he makes slow steps toward self-esteem.

This happens in an improbably sweet film that will strike many as too upbeat. Germain is cuddled by his adorable bus-driver girlfriend Annette (Sophie Guillemin), and pals around with his buddies at a local cafe. He suffers through flashbacks to his unhappy childhood, but seems on the whole serene. He loves Annette but he declares himself "in love" with Margueritte.

So are we, a little. She is bright-eyed and high-spirited, and never overplays the heart-tugging. The director, Jean Becker, is the son of the great French noir director Jacques Becker, who was 8 when Gisele Casadesus was born. There's history here. The happy ending lays it on too thick, but what the hell: In for a dime, in for a dollar. Besides, the movie started me re-reading The Plague.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Memoirs of a Geisha, Part II: How Are Geisha or Nerd Stereotypes Harmful?

Part two of Jana Monji's essay about the portrayal of Asian characters in cinema.

I believe Dylan Farrow

Separating the artist from the art isn't as easy as it sounds.

Back to "Roots" with a Multi-Channel Remake of the Television Classic

A review of the History Channel remake of the landmark mini-series, "Roots."

Reveal Comments
comments powered by Disqus