The Bye Bye Man
The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.
Well, here it is, I guess, a science-fiction movie like the one I was wishing for a few weeks ago in my review of "Pitch Black." That film transported its characters to an alien planet in a three-star system and then had them chase each other around in the desert and be threatened by wicked bat-creatures. Why go to all the trouble of transporting humans millions of miles from Earth, only to mire them in tired generic conventions? "Mission to Mars" is smarter and more original. It contains some ideas. It also has its flaws. It begins with an astronaut's backyard picnic that's so chirpy, it could easily accommodate Chevy Chase. It contains conversations that drag on beyond all reason. It is quiet when quiet is not called for. It contains actions that deny common sense. And for long stretches the characters speak nothing but boilerplate.
And yet those stretches on autopilot surround three sequences of real vision, awakening the sense of wonder that is the goal of popular science fiction. The film involves a manned mission to Mars, which lands successfully and then encounters . . . something . . . that results in the death of three of the crew members, and loss of radio contact with the fourth (Don Cheadle).
A rescue mission is dispatched, led by co-pilots Tim Robbins and Gary Sinise, with Connie Nielsen as Robbins' wife and Jerry O'Connell as the fourth member. They run into a clump of tiny meteorites, which punctures the spaceship's hull and leads to a loss of air pressure. (It's here that the Sinise character defies logic by refusing, for no good reason, to put on his helmet and draw oxygen from his suit.) Then there's another crisis, which leads to a surprisingly taut and moving sequence in which the four characters attempt a tricky maneuver outside their ship and are faced with a life-or-death choice.
Arriving on the red planet, they find the survivor, hear his story and then are led into a virtual reality version of a close encounter of the third kind. They learn the history of Mars and the secret of life on Earth, and Sinise continues his journey in an unexpected way.
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