Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
[Editor's note: Martin Scorsese's first feature, reviewed here for a festival showing under the title "I Call First," was released theatrically as "Who's That Knocking At My Door?"]
There has been a long wait for an American film like Martin Scorsese' s "I Call First," which made a stunning impact in its world premiere Wednesday night at the Chicago International Film Festival.
As a film, it has something to say to everyone. As a technical achievement, it brings together two opposing worlds of American cinema.
On the one hand, there have been traditional films like "Marty," "View from the Bridge," "On the Waterfront" and "David and Lisa" -- all sincere attempts to function at the level where real lives are led and all suffering to some degree from their makers' romantic and idealistic ideas, about such lives.