A consistently intelligent (or at least bright), coherently constructed comedy that is on occasion a rather pointed critique of the American education system in the…
"Grease,'' a 1970s celebration of nostalgia for the 1950s, is now being resurrected on its 20th anniversary as 1970s nostalgia. But no revival, however joyously promoted, can conceal the fact that this is just an average musical, pleasant and upbeat and plastic.
The musical is being revived not because it is invaluable, but because it contains an invaluable cultural icon: the singing, dancing performance of John Travolta. It is now clear that, slumps or not, comebacks or not, Travolta is an important and enduring movie star whose presence can redeem even a compromised "Grease.'' This is not one of his great films--it lacks the electricity of "Saturday Night Fever'' or the quirky genius of "Pulp Fiction''--but it has charm. If Travolta lacks the voltage of Elvis Presley (his obvious role model for this film), at least he's in the same ballpark, and Elvis didn't make such great movies, either.
The story, smoothed out and set in Southern California, involves a greaser named Danny (Travolta) who has a sweet summertime romance with Sandy, an Australian girl (Olivia Newton-John; making her character Australian was easier than coaching her American accent). When summer ends, they part forever, they think, only to find themselves at the same school, where Danny's tough-guy image makes it hard for him to acknowledge the squeaky-clean Sandy.
The film re-creates a 1950s that exists mostly in idyllic memory (for an alternative version, see "Rebel Without a Cause''). There are hot rods, malt shops, school dances, songs from the original Jim Jacobs and Warren Casey musical, and new songs written to fit the characters.