In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_iphnfiwj5vopnmm1tqt64p9qcck

Citizenfour

Though superlatives can mischaracterize any movie’s qualities, it is not an overstatement, I think, to call “Citizenfour,” Laura Poitras’ film about Edward Snowden, the movie…

Thumb_10687421_10152289281917007_4858446204490388004_o

Private Violence

A look at the complexity of domestic violence, especially when it comes to the difficulty of prosecuting abusers in a court of law, "Private Violence"…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Reviews

For Love Or Money

  |  

"For Love or Money" stars Michael J. Fox, one of the most likable stars in the movies, in a romantic comedy so lightweight that his charm has to carry the whole enterprise. Take away the basic human appeal of Fox and his love interest, Gabrielle Anwar, and what you have left wouldn't fuel 22 minutes of a sitcom.

The set-up makes it perfectly clear exactly what must happen in "For Love and Money," but the movie struggles manfully ahead, pretending it doesn't know. The story involves Fox as a New York hotel concierge, who falls in love with a millionaire's sweet and innocent mistress. Can you guess who gets the girl? Some effort is made to flesh out this idea, which must have been ancient in Chaplin's time, by adding backstage details about the operation of the hotel. But even here no effort is made to be original or observant. We see some corridors, we meet the snotty manager and the ancient bellman, and we learn that conciergi trade theater tickets with each other in Central Park. But the movie isn't about hotel, it's about ancient plot devices. Fox plays Doug Ireland, concierge at a hotel where every customer needs special handling. One of them is Christian Hanover (Anthony Higgins), a supercilious rich man who is shamelessly taking advantage of the naive but beautiful Andy Hart (Gabrielle Anwar). Doug's heart goes pitty-pat the moment he sees Andy, but he cannot act on his impulses because Hanover is a big tipper.

Plus, of course, Doug has a dream. He wants to build a hotel on an island off Manhattan, and he's purchased an option to the rights. Now he needs a backer, and Hanover plays him along. Doug knows Andy likes him, and he knows how shamelessly the married millionaire is deceiving her. But if Doug wins his love, he loses his hotel.

And that's about it. The movie is a throwback to a kinder, gentler time; this could have been a Sandra Dee comedy in the 1950s.

Nothing in it is very witty, or very new, or very smart. Gabrielle Anwar makes an appealing presence (you may remember her from "Scent Of A Woman"), and there is a half-hearted attempt to work up some slapstick in a scene at the millionaire's summer home.

But "For Love or Money" is essentially the kind of movie where you walk in, sit down, and start thinking this is where you came in.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

"1941": An Appreciation and Interview with Bob Gale

An appreciation of "1941" and interview with Bob Gale.

NYFF 2014: Paul Thomas Anderson’s “Inherent Vice”

A review of Paul Thomas Anderson's "Inherent Vice" from the 2014 New York Film Festival.

A free man: L.M. "Kit" Carson, 1941-2014

An appreciation of filmmaker, writer and actor L.M. "Kit" Carson, a singular talent.

Reveal Comments
comments powered by Disqus