The Hangover Part III
Better than “The Hangover Part II,” but equally as useless, “The Hangover Part III” plays more like a caper film than an outright comedy. The…
Better than “The Hangover Part II,” but equally as useless, “The Hangover Part III” plays more like a caper film than an outright comedy. The…
The latest from Blue Sky Studio ("Ice Age," "Rio") is different from whatever Pixar/Disney or any other big animation outfit happens to be offering this…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
Jerry Lewis returns to Cannes in a starring role in Daniel Noah's "Max Rose," which proves once again — as "The King of Comedy" did…
Alexander Payne's "Nebraska" brings black and white, to the competition, while "Omar" delivers moral shades of gray to the Palestinian/Israeli conflict and "Michael Koolhaas" looks…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
The destruction of Vulcan, one of the most crucial planets in the "Star Trek" universe, should be at the core of J.J. Abrams’ "Trek" movies.…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…

Katie Dellamaggiore’s inspiring documentary covers two years in the history of the school chess team, during which one team member, Rochelle Ballantyn, approaches her dream of becoming the first female African-American grandmaster in U.S history. During the same years, the team is under a constant threat of losing its budget in state financial cutbacks.
There is no cinematic way to show a chess game, unless you have a very expert audience. Photographing, for example, a devastating move that results in checkmate means nothing unless you’ve lived through all the moves that led to that moment. But you can photograph eyes and smiles, and the pride on parents’ faces. And Rochelle’s glow as she’s presented with the title of master, and the four-year college scholarship awarded by the same tournament.
Sixty-five percent of the families with kids in I.S. 318 are below the federal poverty level. The school’s long-standing after-school chess program has produced a lot of victories in recent years, but “Brooklyn Castle” happens at a time when it reaches a mighty peak. The kids are guided by friendly coach John Galbin and warm teacher Elizabeth Vicery, herself ranked at the expert level.
But if you know chess, you realize that a coach can’t win for you. A coach can discuss strategies and areas of the board and well-known openings, but eventually every player ventures into that unknown land where there are more possible moves than atoms in the universe. All you have is your mind as it tries to find its way through the infinite better than your opponent can.
As a player of mediocre strength, I have no hope of playing at the level achieved by these students. But if I win, I have proven myself better than the person seated across the board from me, and every player knows the finality when the other player sadly turns over his king, signaling surrender. We know it even better when we do it ourselves.
In “Brooklyn Castle,” we see the players meeting after school, hanging out, traveling to tournaments that for some represent the first air travel in the history of their family. We also see the rising self-esteem of a team member like Patrick, who has ADD. That can be devastating to a chess player, and the evidence that his game has improved must be more meaningful and encouraging than any level of therapy.
Note: “Brooklyn Castle” won the Audience Award at the 2012 SXSW Film Festival.
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Michał Oleszczyk
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