We need more directors willing to take risks with films like Get Out.
Like the James Bond series that provided it with comic inspiration, the Austin Powers series benefits from a certain familiarity. Not every Bond movie is good, but once you get started going to them you would never think of missing one. Same with Austin Powers. The third movie about the shagadelic one, "Austin Powers in Goldmember," is a step or two down from the first and second, but it has some very funny moments, and maybe that is all we hope for.
The familiar characters are back, including Austin, Dr. Evil and Fat Bastard (all played by Myers), and Mini-Me (Verne Troyer). Is this a good thing? The first time we saw them, they had the impact of novelty, but Dr. Evil is growing a little repetitious, and Fat Bastard, in his attempt to keep our attention, has escalated his adventures with bodily functions into a kind of manic bathroom zeal. There are some things we do not want to know about his bowels, and he informs us of all of them.
Myers adds a new character this time, Goldmember, whose name more or less explains his name. This is a Dutchman with flaking skin, which he likes to peel off and eat. He doesn't really grab the imagination the way Evil and Bastard did, although he provides the inspiration for a large number of Dutch jokes, all of which are supposed to be funny because they're not funny.
One new character I did like was Foxxy Cleopatra (Beyonce Knowles of Destiny's Child). With an Afro out to there, she's a 1970s blaxploitation heroine, inspired by the characters played by Pam Grier and Tamara Dobson. Alas, the movie doesn't do much with her except assign her to look extremely good while standing next to Austin. Having journeyed back to her period of 1975 in a time-traveling pimpmobile, it's too bad Austin doesn't do more with the opportunity.
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