In Memoriam 1942 – 2013 “Roger Ebert loved movies.”


Steve Jobs

The fact that he doesn’t try to redeem these flawed, fascinating figures—or even try to make you like them in the slightest way—feels like an…


Knock Knock

As a piece of social satire, Knock Knock winds up being not just toothless but anticlimactic.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Ebert's 2006 summer/fall round-up


Film festivals allow you to get way ahead on your movie viewing. At Sundance, Cannes, Telluride and Toronto you can see movies that will be released throughout the coming year and into the next. That's what Roger Ebert does every year, and here are some of the movies he's already written about for the next few months, into November....

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Sundance 2006 winners

PARK CITY, Utah (AP) Ñ Two films examining immigrant life in America, the Hispanic teen drama "Quinceanera" and the Sudanese refugee documentary "God Grew Tired of Us," won top honors Saturday at the Sundance Film Festival.

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Sundance #10: Push comes to screen


PARK CITY, Utah – On the last day of Sundance 2006, I went to see one final film, named “Man Push Cart.” It was playing at 8:30 a.m. in the Prospector Square Theater, which is a large room filled with fairly comfortable folding chairs. The movie tells the story of a young man who was once a rock star in his native Pakistan, but now operates a stainless steel push cart on the streets of Manhattan, vending coffee, tea, muffins and bagels (“You want cream cheese?”).

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Sundance #7: Film ratings exposed!


PARK CITY, Utah - Since 1968, the MPAA Code and Ratings Administration has been an anonymous group enforcing secret guidelines on almost all movies seeking release in America. The difference between its R and NC-17 ratings can mean life or death for a movie. A rating can be appealed -- to another anonymous group, also with guidelines that are never made clear. The board's founder and great defender, Jack Valenti, explained for years that the movie raters were "ordinary parents" with young children, trying to advise other parents on how appropriate movies might be for younger viewers.

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