In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_mv5bmtgxnteymtyzov5bml5banbnxkftztgwnzq4otg5mje_._v1__sx1216_sy712_

The Boy Next Door

The Boy Next Door has its share of so-bad-they’re-good moments – and details, and chunks of dialogue – but not nearly enough. Mostly, they’re just…

Thumb_mv5bmtg4mjuxodczm15bml5banbnxkftztgwmdy4mjy0mze_._v1__sx1216_sy712_

Son of a Gun

Avery’s more than capable behind the camera, he just needs to be met halfway by his screenwriting, which dwells in overly familiar territory.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#240 November 26, 2014

Sheila writes: Recently, Rock and Roll Hall of Famer Patti Smith sat down and interviewed director David Lynch for the BBC. The result is a fascinating and atypical interview, revealing and evocative, giving the sense of two people sharing an experience, rather than a strict Q and A format. It makes me want to see more. The two discuss "Twin Peaks," "Blue Velvet," and other topics. You can watch the interview here.

Continue reading →

Film festival stresses quality, not quantity

The streamlined 32nd Chicago International Film Festival opens Thursday, with fewer films but better quality control. Emerging from a year of boardroom turmoil and an attempted coup, festival founder Michael J. Kutza has retained his post as director but adopted some of the changes long called for by the event's critics.

Continue reading →

Harold Pinter

NEW YORK - The situation was so incongruous I wouldn't have missed it for the world. Here I was at one of those New York "press openings" for a new movie. The format was pretty standard. A hotel ballroom was filled with a half-dozen round tables, and each table held a half dozen movie critics. The producer, director, writer and star of the new film moved from table to table, answering questions for 15 minutes before it was time to switch.

Continue reading →