A Letter to Momo
Even scenes that work, such as a climax on a rain-soaked bridge, feel like they could have been trimmed by a few hand-drawn frames. Maybe…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
LOS ANGELES - Paul Mazursky, in 1980, is very much an outsider in contemporary Hollywood. At a time when the bosses of the major studios are engaged in games of musical chairs, when few studio chiefs give any thought to long-term filmmaking philosophies. When the creative deal is more highly regarded than the creative film, when bloated budgets are poured into films that will become either monster hits or complete write-offs...at a time like this, Paul Mazursky is so out of date he seems almost Victorian.