Aloha feels like several films at once, crammed together and sped up, with results that are emotionally hollow and narratively confusing.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Religion takes you from darkness into light, and David Fincher's deeply religious "Fight Club" grows darker and darker still. Here, piety is anarchy; anarchy is destruction; self-destruction is ecstasy. It plays whimsical department store music while its broken shark teeth chew at you. Its sound, consistent plot leads straight to an abrasive, perhaps annoying schizophrenia. It is the Bodhisattva, Satyagraha, and the Masnavi mashed up and played backwards with the wrong device. This movie is the anti-movie, and it enjoys every moment of it.
Marie writes: There's a glorified duck pond at the center of the complex where I live. And since moving in, my apartment has been an object of enduring fascination for Canadian geese - who arrive each Spring like a squadron of jet fighters returning from a mission in France, to run a sweeping aerial recon my little garden aka: playhouse for birds... (click to enlarge)
Marie writes: ever stumble upon a photo taken from a movie you've never seen? Maybe it's an official production still; part of the Studio's publicity for it at the time. Or maybe it's a recent screen capture, one countless fan-made images to be found online. Either way, I collect them like pennies in jar. I've got a folder stuffed with images, all reflecting a deep love of Cinematography and I thought I'd share some - as you never know; sometimes, the road to discovering a cinematic treasure starts with a single intriguing shot....
A Streetcar Named Desire (1951) Cinematography: Harry Stradling(click images to enlarge)
Tyler Durden: Brad Pitt