Inside Llewyn Davis
"Inside Llewyn Davis" is the most satisfyingly diabolical cinematic structure that the Coens have ever contrived, and that's just one reason that I suspect it…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Whenever I saw a plastic bag, a mixed feeling of benevolence and mild annoyance used to bubble up within me. When not neatly stacked by the cashier in a store or filled with stuff, they were usually flapping in the wind making unnecessary noises or worse, trailing in the gutter or sidewalk, being useless. Their life as intended was over, but they seemed oblivious.
These feeling changed after I first read the novel "Never Let Me Go" by Kazuo Ishiguro, which in its almost-casual prose and easy pace, threaded me through the legendary grounds of Hailsham and the damp English countryside with Ruth, Tommy, and Kathy. Along the way I sat beside the girls while they bonded, and stood beside the boys while they yelled. Throughout their lives, I got to know these three people, and they became real to me. By the time the book completed, so had they, but I was not.
Marie writes: I love cinematography and worship at its altar; a great shot akin to a picture worth a thousand words. The best filmmakers know how to marry words and images. And as the industry gears up for the Golden Globes and then the Oscars, and the publicity machine starts to roll in earnest, covering the Earth with a daily blanket of freshly pressed hype, I find myself reaching past it and backwards to those who set the bar, and showed us what can be accomplished and achieved with light and a camera...
Cinematography by Robert Krasker - The Third Man (1949) (click to enlarge images)
David Fincher's "The Social Network"is emerging as the consensus choice as best film of 2010. Most of the critics' groups have sanctified it, and after its initial impact it has only grown it stature. I think it is an early observer of a trend in our society, where we have learned new ways of thinking of ourselves: As members of a demographic group, as part of a database, as figures in...a social network.
The year's best feature films:
• Toronto Report #1
I walk out the hotel door and don't know where I am. I've spent almost ten months in Toronto, one film festival at a time, and I know my way around. So where am I? The concierge says the district is "near the Entertainment District."
Not far away are some of the big Toronto legit houses. Turn a corner and I realize
Marie writes: what do you get a man with a massive book collection who has artwork by Edward Lear and huge canvases by Gillian Ayres? What would a man with a Pulitzer and a Webby now renowned for the verbosity of his tweeting, like for his birthday? Much pondering went into answering that. Until suddenly a light-bulb went on above my head! (Click image.)Of course! It's so obvious - turn the Grand Poobah into a super hero! Super Critic: battling the forces of bad movies and championing the little guy, while tweeting where no critic has gone before! In the process, we'll get to see him wearing a red cape and blue tights. Perfect.Note: the artwork was done by Dave Fox of INTOON Productions. He makes personalized comic book covers and animation cels. Diane Kremmer, a long time friend and fellow artist, works and lives with Dave on Pender Island (one of the Gulf Islands off the coast of BC near Washington State.) I spent last weekend with them and took advantage of Dave's cartooning skills. I mention this because he did all the work. I just sat there and drank his wine. :-)
PARK CITY, Utah -- I have seen 11 films so far at this year's Sundance Film Festival, and the most affecting involves a couple of kids from a Chicago public housing complex who were given tape recorders by National Public Radio, and asked to record the story of their lives.