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Transcendence

"Transcendence" is a serious science fiction movie filled with big ideas and powerful images, but it never quite coheres, and the end is a copout.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Free sample of Ebert Club Newsletter

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This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.

Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.

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#152 January 23, 2013

Marie writes: Behold the entryway to the Institut Océanographique in Paris; and what might just be the most awesome sculpture to adorn an archway in the history of sculptures and archways. Photo @ pinterest

(click to enlarge.)

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#151 January 16, 2013

Marie writes: And so it begins!  A new year and another season of Film Festivals and Award shows. The Golden Globes have come and gone and in advance of quirky SXSW, there's Robert Redford's Sundance 2013...

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#88 November 9, 2011

The Grand Poobah writes: Unless we find an angel, our television program will go off the air at the end of its current season. There. I've said it. Usually in television, people use evasive language. Not me. We'll be gone. I want to be honest about why this is. We can't afford to finance it any longer.

To read the full story, visit "The Chimes at midnight" on the Blog.

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I'm reading newspapers again

Of course I've never stopped reading the Sun-Times. That's the start of my daily ritual. But while I used to read four newspapers every day, I found that, gradually, I wasn't. You know how it is. You get mired in the matrix of the web and think you're reading all the news you can handle. You have the papers, but they're unopened at the end of the day.

However, during the election season and the Inauguration euphoria, I renewed our subscription to the New York Times and remembered, at first almost unconsciously, how much I enjoy reading a newspaper. The pages follow in orderly progression. The headlines and artwork point me to stories I find interesting. I am settled. I am serene. I read, I think. I am freed from clicking and the hectic need to scroll, to bounce between links. I don't have search for the print stories. They find me.

Reading the paper, September 7, 2007 (By Elizabeth Perry; click)

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