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The multiple twists, double-crosses and leaps in logic are more likely to prompt giggles than gasps, despite the impressive production values and the earnest efforts…


Oasis: Supersonic

While Oasis: Supersonic is never boring, especially for fans, it’s also not quite deep enough to justify its narrow focus, especially at its overlong running…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

They had faces then: Mike Leigh's "Life is Sweet"


With its partly improvised dialogue and eruptions of argument, Mike Leigh's "Life is Sweet," now on Criterion DVD, gave viewers was insight into where the director had been, artistically. It also hinted at where he was going: into territory with far more visual and verbal polish.

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Movie Answer Man (02/21/1999)

Q. I recently saw Roberto Benigni's terrific "Life is Beautiful," and wonder about a possible oversight. What ever came of the last riddle Dr. Lessing presented to Guido at the dinner party--the one he thought represented a duck? I kept waiting for the answer and it never came. (Matt Ramm, Birmingham, AL)

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Quirky `Little Voice' gets the call to be this year's opener

The Chicago International Film Festival has not always been distinguished by its choice of opening-night films. Some never subsequently opened commercially, and at least one sent Junior Leaguers fleeing from the theater. But Mark Herman's "Little Voice," which opens this year's festival tonight, is a splendid choice - a film that may pick up an Oscar nomination or two.

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'Mixing Nia,' 'Little Voice' bring humanity to Toronto

TORONTO -- Reeling after a week of too many films built on too much mindless brutality, I found "Little Voice" and "Mixing Nia" to be soothing reassurances that there were still filmmakers with heart and humor. The general view at this year's Toronto Film Festival is that a lot of ambitious new flickers are engaged in a game of one-upmanship in violence and may have outstripped even the audience appetite for mayhem.

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