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The Transporter Refueled

The Transporter Refueled is an unnecessary bore from start to finish, one that even the most devoted Luc Besson fanatics will find difficult to defend.

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Dirty Weekend

Matthew Broderick and Alice Eve play business colleagues who get stranded in Albuquerque during a business trip, leading to rather mild complications; except for the…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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They had faces then: Mike Leigh's "Life is Sweet"

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With its partly improvised dialogue and eruptions of argument, Mike Leigh's "Life is Sweet," now on Criterion DVD, gave viewers was insight into where the director had been, artistically. It also hinted at where he was going: into territory with far more visual and verbal polish.

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Movie Answer Man (02/21/1999)

Q. I recently saw Roberto Benigni's terrific "Life is Beautiful," and wonder about a possible oversight. What ever came of the last riddle Dr. Lessing presented to Guido at the dinner party--the one he thought represented a duck? I kept waiting for the answer and it never came. (Matt Ramm, Birmingham, AL)

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Quirky `Little Voice' gets the call to be this year's opener

The Chicago International Film Festival has not always been distinguished by its choice of opening-night films. Some never subsequently opened commercially, and at least one sent Junior Leaguers fleeing from the theater. But Mark Herman's "Little Voice," which opens this year's festival tonight, is a splendid choice - a film that may pick up an Oscar nomination or two.

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'Mixing Nia,' 'Little Voice' bring humanity to Toronto

TORONTO -- Reeling after a week of too many films built on too much mindless brutality, I found "Little Voice" and "Mixing Nia" to be soothing reassurances that there were still filmmakers with heart and humor. The general view at this year's Toronto Film Festival is that a lot of ambitious new flickers are engaged in a game of one-upmanship in violence and may have outstripped even the audience appetite for mayhem.

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