In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_as_above_so_below_xlg

As Above, So Below

It's that rare found-footage film with a strong premise, a memorably eccentric style, and plenty of energy to burn. It's also poorly conceived, and hard…

Thumb_last_of_robin_hood

The Last of Robin Hood

A title as good as "The Last of Robin Hood" deserves a better movie. In fact, it deserves a good movie.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Channel Archives

Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

On nudity and sex and Shame

Primary_shamenude2.jpg-thumb-510x309-40273

Above: Photo (censored) taken during the filming of "Shame" in New York.

When it comes to sex and nudity in the movies, at some point the fiction gives way to a recording of the actors getting naked. Steven Soderbergh reportedly said on one of his commentary tracks that, especially when famous actors are involved, "the minute they take their clothes off, it becomes a documentary." I thought of this when I read Richard Brody's post at his New Yorker blog, The Front Row, about Michael Fassbender and co-stars' ballyhooed sex and nudity in Steve McQueen's "Shame." (Apparently nobody remembers that Fassbender was also naked in McQueen's "Hunger" -- although he was getting thrown around the prison at the time.)

In a piece called "Behind, Before, Above, Between, Below," Brody writes:

McQueen's film has lots of it--huffing and puffing, pumping backsides and writhing limbs and grimacing faces--and it's got bodies: Fassbender's, full frontal but fleetingly, in shadow, at a distance, or, most grotesquely, seen from behind and below, urinating; Carey Mulligan's, naked but in side view; and a few other women, in a variety of stages of undress. I have never had any particular interest in seeing any of these actors' genitals, but I find McQueen's coy respectfulness cinematically offensive. If he's going to show his performers undressed, the lighting should be the same as it is on their faces, and the angles in which he shows them should be as plain as those which he uses for their faces. Instead, he uses their bodies as a sort of chit of authenticity and frankness. Whether the story itself is authentic and frank, we can talk about when the movie is released, but there's an intrinsic oddity to the notion of actors showing it all.

Continue reading →

#77 August 24, 2011

Marie writes: the following moment of happiness is brought to you by the glorious Tilda Swinton, who recently sent the Grand Poobah a photo of herself taken on her farm in Scotland, holding a batch of English Springer puppies!

Continue reading →

#28 September 15, 2010

From the Grand Poobah in Toronto: It was slightly chilly and I threw on my Toronto International Film Festival jacket and hurried out of the hotel. Only an ooh and an ahh from behind me at the Elgin Theater alerted me that I was wearing my official Roots 20th anniversary jacket. Since 2010 is the festival's 35th anniversary, that's not bad, n'est-ce pas? I hope that at the theater my T-shirt wasn't peeking out.

The Grand Poobah writes: I carry a little Canon S60 digital camera so small it tucks in my jeans pocket. Sometimes, all by itself, it will take a great photograph. Here are Lena and Werner Herzog. She is the acclaimed photographer. This was taken shortly after Herzog and Errol Morris held their lively onstage conversation, which I video recorded from the front row.

Continue reading →

Grant takes place in the sun

America will be having a Hugh Grant festival this spring. The boyish British actor with the apologetic shrug is the star of three films being released almost simultaneously: "Sirens," "Four Weddings And A Funeral" and "Bitter Moon." All three are well-suited to his strengths as a likeable, diffident, chap who backs into situations apologetically, but usually prevails.

Continue reading →