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Nightcrawler

A perfect engine of corrosive satire, this drama follows the adventures of an amoral cameraman to its logical and unsettling end.

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Horns

There are some clever ideas in the script from Keith Bunin, based on the novel by Joe Hill, but they get mixed up in some…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Why we love zombies

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I made a wisecrack recently that, as far as I can tell, the zombies on AMC's "The Walking Dead" are metaphors for zombies. (Fortunately the show has the sense to hire guest stars like my friend Scott Wilson to add a human dimension to the endless splatter.) Another wise and talented friend, Kathleen Murphy, wrote something about the undying appeal -- and flesh-creeping significance -- of zombies a few years back that, unfortunately, can no longer be found on the web. But she was kind enough to send me the introduction ("It's alive!"), which I happily resurrect from the abyss for you here. Dig in:

Back to back, belly to belly I don't give a damn, I done dead already Oho back to back, belly to belly At the Zombie Jamboree

by Kathleen Murphy

In the hierarchy of horror movies, zombies usually come in dead last, behind glam monsters like vampires and demons, witches and werewolves. Ambulatory corpses are rarely pleasant to look at, and it's devilishly difficult to project personality through all that putrefaction, what with your fleshy bits constantly dropping off. Mostly zombies just shamble and chomp, activity that falls somewhat short of the meat-and-potatoes of high-class drama. 

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