The Danish Girl
The Danish Girl lacks an immediacy and vibrancy, as well as a genuine sense of emotional connection.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A report on the robust "Classics" section of the 2015 Venice Film Festival.
New films from Israel and Spain address a changing world for kids and young adults.
I made a wisecrack recently that, as far as I can tell, the zombies on AMC's "The Walking Dead" are metaphors for zombies. (Fortunately the show has the sense to hire guest stars like my friend Scott Wilson to add a human dimension to the endless splatter.) Another wise and talented friend, Kathleen Murphy, wrote something about the undying appeal -- and flesh-creeping significance -- of zombies a few years back that, unfortunately, can no longer be found on the web. But she was kind enough to send me the introduction ("It's alive!"), which I happily resurrect from the abyss for you here. Dig in:
Back to back, belly to belly I don't give a damn, I done dead already Oho back to back, belly to belly At the Zombie Jamboree
by Kathleen Murphy
In the hierarchy of horror movies, zombies usually come in dead last, behind glam monsters like vampires and demons, witches and werewolves. Ambulatory corpses are rarely pleasant to look at, and it's devilishly difficult to project personality through all that putrefaction, what with your fleshy bits constantly dropping off. Mostly zombies just shamble and chomp, activity that falls somewhat short of the meat-and-potatoes of high-class drama.