Southbound is a prime example of a horror omnibus film: even the weaker segments have something to recommend them.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Q. You aren't a big fan of colorized movies, and I agree that the studios should leave the original movies alone. Black and white is beautiful, and is indeed more dreamlike. Colorization does mess with the lighting--but, in a way, can it help encourage people to see black and white films? Let me give you an example: my kids love Shirley Temple, although they've only seen the colorized versions on video. Since they're kids they don't like b&w now, but maybe when they're older they'll appreciate how grand b&w really is. Can it introduce older films to them by using elements they know, so later they can go back and experience it the way it was really meant to be seen? A lot of people don't like b&w after all. (Dan Carell, Natick MA)
It was the kind of story that made you willing to linger over the after-dinner coffee. "What do you know about the death of Thomas Ince?" Peter Bogdanovich asked me. I knew a little. Like everyone with a fascination for Hollywood gossip, I'd read Kenneth Anger's legendary book Hollywood Babylon, in which he speculates that Ince, "The Wizard of Westerns," died after drinking bootleg booze on William Randolph Hearst's yacht.
PARK CITY, Utah -- At most film festivals, 90 percent of the audience members are civilians and 10 percent are employed in the industry. At Sundance, the ratio is reversed. Screenings here consist of pitches, bids, dealmaking, business card exchanging and schmoozing, interrupted by movies.