American Sniper proves the dictum “never count an auteur out” by proving itself as Eastwood’s strongest directorial effort since 2009's underrated Invictus pretty much right…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Q. Big problem arose last night for me at Spielberg's "Lost World: Jurassic Park." When T-Rex goes storming through San Diego, there's a brief shot of a group of Japanese businessmen fleeing along with the rest of the crowd. I laughed aloud (as did many others in the house). My spontaneous outburst, in appreciation of what I saw as Spielberg's tip of the hat to a convention of Japanese monster movies, set my fiancee off on a tear that began with an elbow in my ribs and a warning to behave myself, and a berating as soon as the house lights came up. Her reason: The folks seated to her left were Asian--and my applause was an indication of racism. Roger, look at that scene: It's shot from the same low, three-quarters behind the characters angle, with the characters' faces turned to look back as they flee (running slo-mo), just like any Godzilla, Rodan or Mothra movie. It is a tribute to the genre; use of a cinematic convention. She says it's a stereotype--because bad monster flicks "are all they make in Japan" and that Spielberg is no better for including it than I am for liking it. (Gerard Farrell, Bay City, TX)
Q. I watched the new CBS show "Early Edition" and found out that they use Chicago Sun-Times as their one-day-ahead-paper. When the paper was zoomed in, I could clearly see and read "Roger Ebert's movie review" on the paper. I was wondering if you have seen the show or not. (Min Woong Lee, Costa Mesa, CA.)