American Fable is ambitious, maybe too much so sometimes, but there's an intense pleasure in the boldness of the film's style.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A look at the legacy of "Independence Day," as reflected in films that tried to top it, including its sequel.
The latest on Blu-ray, including collector's editions of masterpieces from Robert Altman and Michael Mann.
Q. Big problem arose last night for me at Spielberg's "Lost World: Jurassic Park." When T-Rex goes storming through San Diego, there's a brief shot of a group of Japanese businessmen fleeing along with the rest of the crowd. I laughed aloud (as did many others in the house). My spontaneous outburst, in appreciation of what I saw as Spielberg's tip of the hat to a convention of Japanese monster movies, set my fiancee off on a tear that began with an elbow in my ribs and a warning to behave myself, and a berating as soon as the house lights came up. Her reason: The folks seated to her left were Asian--and my applause was an indication of racism. Roger, look at that scene: It's shot from the same low, three-quarters behind the characters angle, with the characters' faces turned to look back as they flee (running slo-mo), just like any Godzilla, Rodan or Mothra movie. It is a tribute to the genre; use of a cinematic convention. She says it's a stereotype--because bad monster flicks "are all they make in Japan" and that Spielberg is no better for including it than I am for liking it. (Gerard Farrell, Bay City, TX)
Q. I watched the new CBS show "Early Edition" and found out that they use Chicago Sun-Times as their one-day-ahead-paper. When the paper was zoomed in, I could clearly see and read "Roger Ebert's movie review" on the paper. I was wondering if you have seen the show or not. (Min Woong Lee, Costa Mesa, CA.)