The Magnificent Seven
Rarely have so many charismatic actors been used in a film that feels quite as soulless as Antoine Fuqua’s update of The Magnificent Seven.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A dispatch from Cannes on the new films by Emmanuelle Bercot, Hirokazu Kore-eda, and Matteo Garrone.
A curtain raiser for the 2015 iteration of the Cannes Film Festival.
A tribute to Isabelle Huppert as the 2014 Chicago International Film Festival plans to do the same this weekend.
Roger Ebert's best movie lists from 1967-present
CANNES, France – There are entries that have been liked and even loved, but the 2006 Cannes Film Festival reaches its halfway mark looking like a fairly lackluster year. Only Pedro Almodovar’s “Volver,” a high-spirited memory inspired by his childhood in La Mancha, has been embraced by critics and audiences. “Volver” means “to return,” and resembles in its exuberant nostalgia Fellini’s “Amarcord” (“I Remember”).
The jury stunned but did not displease a black-tie audience here Sunday night, with the awards for the 54th Cannes Film Festival. It's not that the winners were unpopular, but that they were unexpected. Everyone predicted Nanni Moretti's "The Son's Room," the story of an Italian family devastated by the death of a son, would win something but not the Palme d'Or, or top prize. Everyone expected French legend Isabelle Huppert to win as best actress for her searing performance in "The Piano Teacher," and she did -- but not that the film also would win for best actor and take home the special jury prize.