Magic in the Moonlight
While Allen’s new picture, "Magic In The Moonlight," isn’t even close to being a disaster (for that, see, well, "Scoop"), I don’t think it’s unreasonable…
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Roger Ebert's best movie lists from 1967-present
CANNES, France – There are entries that have been liked and even loved, but the 2006 Cannes Film Festival reaches its halfway mark looking like a fairly lackluster year. Only Pedro Almodovar’s “Volver,” a high-spirited memory inspired by his childhood in La Mancha, has been embraced by critics and audiences. “Volver” means “to return,” and resembles in its exuberant nostalgia Fellini’s “Amarcord” (“I Remember”).
The jury stunned but did not displease a black-tie audience here Sunday night, with the awards for the 54th Cannes Film Festival. It's not that the winners were unpopular, but that they were unexpected. Everyone predicted Nanni Moretti's "The Son's Room," the story of an Italian family devastated by the death of a son, would win something but not the Palme d'Or, or top prize. Everyone expected French legend Isabelle Huppert to win as best actress for her searing performance in "The Piano Teacher," and she did -- but not that the film also would win for best actor and take home the special jury prize.