Star Trek Into Darkness
Less a classic "Star Trek" adventure than a "Star Trek"-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a "Star Trek"-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J. Abrams’ latest could have been titled "The Bourne Federation."
Two very different documentarians, Marcel Ophüls and Clio Barnard, premiere new work at Directors' Fortnight.
Michał Oleszczyk falls for offbeat gay thriller "Stranger by the Lake" and gloriously eccentric essay-film "A Story of Children and Film."
Barbara Scharres has a few choice words for François Ozon's "Young & Beautiful" and Sofia Coppola's "The Bling Ring," but finds a gem in Ryan Coogler's "Fruitvale Station."
Michał Oleszczyk catches up with two takes on troubled youth: François Ozon's "Young & Beautiful" and Sofia Coppola's "The Bling Ring."
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four sisters. I lost two brothers and two sisters, so I have become a mother figure to some of my nieces and nephews. Those who live in town usually join with us in celebrating the day.
Los Angeles, CA: Sundance Institute will remember and celebrate journalist and film critic Roger Ebert by honoring him with the Vanguard Leadership Award in Memoriam, in recognition of his advocacy of independent cinema. He was a frequent attendee of the Sundance Film Festival, where he discovered and supported films like Hoop Dreams, Man Push Cart, Come Early Morning, Longtime Companion, Metropolitan, The Brothers McMullen, Crumb, Picture Bride, American Movie, and The War Zone. Sundance alumni who count him as an advocate include Steve James, Spike Lee, Kathryn Bigelow, Steven Soderbergh, Quentin Tarantino, Errol Morris and Werner Herzog.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was just a kid, of how he was inspired by Willis O'Brien's pioneering special effects, and of how that led him to his grand career in the field of stop-motion animation. In some sense, Harryhausen inspired me in the same way that O'Brien did him. I'm not exaggerating when I say that he changed my life.
Dedicated to memories of Roger Ebert, for the simple reason that talking about movies is so thrilling. He did not like lists, but I love his lists.