In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb spiderverse poser

Spider-Man: Into the Spider-Verse

Directors Bob Persichetti, Peter Ramsey, and Rodney Rothman have breathed thrilling new life into the comic book movie. The way they play with tone, form…

Thumb beale street poster 2

If Beale Street Could Talk

Jenkins’ decision to let the original storyteller live and breathe throughout If Beale Street Can Talk is a wise one.

Other Reviews
Review Archives
Thumb tvovw7qjj63zbqw5tz8cjpthaud

Schindler's List

This was published on June 24th, 2001, and we are republishing it in honor of the film's 25th anniversary rerelease."Schindler's List" is described as a…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives

Sven Nykvist, 1922 - 2006

sven.jpg

Sven Nykvist, behind the camera.

Roger Ebert interviewed the late master cinematographer Sven Nykvist in a fascinating visit to the set of "Face to Face" in 1975:

Sven Nykvist photographs Bergman's films. He is tall, strong, fifty-one, with a beard and a quick smile. He is usually better-dressed than Bergman, but then almost everyone is; "Ingmar," a friend says, "does not spend a hundred dollars a year for personal haberdashery." Nykvist first worked for Bergman on 'The Naked Night' in 1953, and has been with him steadily since 'The Virgin Spring' in 1959. This will be his nineteenth title for Bergman, and the two of them together engineered Bergman's long-delayed transition from black and white to color, unhappily in "All These Women" and then triumphantly in "The Passion of Anna" and "Cries and Whispers."

Nykvist is in demand all over the world, and commands one of the half-dozen highest salaries among cinematographers, but he always leaves his schedule open for Bergman. "We've already discussed the new film the year before," he says, "and then Ingmar goes to his island and writes the screenplay. The next year, we shoot -- usually about the fifteenth of April. Usually we are the same eighteen people working with him, year after year, one film a year."

At the Cannes Film Festival one year, he said, Bergman was talking with David Lean, the director of "Lawrence of Arabia" and "Doctor Zhivago." "What kind of crew do you use?" Lean asked. "I make my films with eighteen good friends," Bergman said. "That's interesting," said Lean. "I make mine with 150 enemies."

Advertisement

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

The Baffling Failure of Fallout 76

A review of Fallout 76.

Video games can never be art

Having once made the statement above, I have declined all opportunities to ...

Reveal Comments
comments powered by Disqus