The film, while well-made on a technical level, feels more like a collection of moments than a full and satisfying narrative.
Roger Ebert's statement in response to a recent Disney press release:
I am discussing with Disney my association with the show that Gene Siskel and I started more than 30 years ago. In addition to my personal involvement, we are discussing the continued use of our Thumbs™ trademarks, owned by myself and the Siskel family.
Contrary to Disney’s press release, I did not demand the removal of the Thumbs™. They made a first offer on Friday which I considered offensively low. I responded with a counter-offer. They did not reply to this, and on Monday ordered the Thumbs™ removed from the show. This is not something I expected after an association of over 22 years. I had made it clear the Thumbs™ could remain during good-faith negotiations.
During my absence from the balcony, I have been excited to participate in the show in ways other than being on the set. I love the show and I love the Thumbs™ and I hope we will all be reunited soon.
A video essay about Mortal Engines, as part of Scout Tafoya's ongoing video essay series on maligned masterpieces.
This is the most purely entertaining season of Stranger Things to date.
An interview with the legendary critic J. Hoberman on the release of his book Make My Day.
This message came to me from a reader named Peter Svensland. He and a fr...