Eastwood’s conceptions of heroism and villainy have always been, if not endlessly complex, at least never simplistic.
Couric and Palin, on piano. This is an ear-opening way to hear spoken words. As notes.
I can think of so many movies in which the images play the orchestra (or band, depending on the kind of music the movie suggests) and the actors are the soloists. Dialog by Billy Wilder, or Preston Sturges, or the Coen Bros. often strikes me as fundamentally musical. But I didn't hear this one coming.
A review of the newest film by Quentin Tarantino.
The top 50 shows of the 2010s.
The best films of 2019, as chosen by the staff of RogerEbert.com.
This message came to me from a reader named Peter Svensland. He and a fr...