In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb world 9

Jurassic World: Fallen Kingdom

This is a movie that’s annoying in part because it doesn’t care if you’re annoyed by it. It doesn’t need you, the individual viewer, to…

Thumb tag poster

Tag

A lazy, vulgar celebration of White Male American Dumbness.

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives

Reviews

The Sword and the Sorcerer

  |  

This movie sure looks great, but I'm not sure I could pass a quiz on what it's about. Maybe it doesn't matter. "The Sword and the Sorcerer" is basically an Identikit movie, in which they start out with a lot of different faces and end up with the usual suspects. We may not be sure precisely what the power relationships are in the movie, but we know there's a young hero and an old king, an ancient villain and a maiden in peril.

There are also a lot of blades in this movie, Also dungeons, passageways, cold roast legs of beef, eyes that glow like embers and a three-pronged sword that holds the key to the kingdom. The movie drips with atmosphere, and I guess atmosphere is what Sword & Sorcery movies are about. They sure aren't about character.

Advertisement

Let's see. So far in the last year, I've seen "Dragonslayer," "Excalibur," and a preview of "Conan the Barbarian." Put them on a quadruple bill with "The Sword and the Sorcerer," and you'd sometimes have trouble figuring out when one ended and the next began.

That's not to say they're necessarily bad; I sort of enjoy medieval swashbucklers. It's just that there are only so many variations you can play on muscles and broadswords, lusty heroes and busty heroines, bearded kings, bizarre panoply, and that old standby, the storming of the citadel.

To give credit where it's due, "The Sword and the Sorcerer" does have two areas of relative originality: Its sword, and its sorcerer. I already mentioned that the sword is three-pronged. That's not all. It has the ability to hurl two of its blades like a spear-gun, and it has a dagger hidden in its handle (it must have been designed by James Bond's munitions man).

The sorcerer is a triumph of makeup, a Incredibly evil old man with a voice from the bottom of a well and a face that looks like somebody left the hot tar out in the rain. I also enjoyed Kathleen Beller's presence as the heroine; she behaves more intelligently than the usual actress asked to pant and heave through these movies, and her character has a neat weapon previously not much used in S&S epics, a knee to the groin.

But when the movie was over, I really wasn't much moved. "The Sword and the Sorcerer" is so dominated by its special effects, its settings and locations, that it doesn't care much about character. It trots its people onscreen, gives them names and labels, and puts them through their paces.

That's not enough. If a filmmaker would just take the time to provide human quirks and foibles for his S&S characters, to give them nice little turns of speech and Identities that we could tell apart and care about, this kind of movie could really be fun. Actually, one filmmaker has done exactly that, only his swords and sorcerers were set in the future: George Lucas, with the "Star Wars" movies.

Advertisement

Popular Blog Posts

Five Ways to Save Star Wars

The suggestions in this article are worth 10 billion dollars.

Dark Souls Remastered Wants to Make You Cry This Summer

A review of Dark Souls Remastered, a game so good it will make you cry.

Thumbnails Special Edition: Where Are Our Diverse Voices in Film Criticism

A special edition of Thumbnails spotlighting the efforts being made to amplify diverse voices in film criticism follo...

Reveal Comments
comments powered by Disqus