In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb large ouygaatyh4jzithj6fi3uyf31ri

Wonder

You’ll shed a tear or two—especially if you’re a parent—and they’ll be totally earned.

Thumb mv5bztg3yteznjytzty2ns00yjnmltlhnjutzti2m2e5ndi4m2njxkeyxkfqcgdeqxvymzi3mdezmzm . v1 sy1000 cr0 0 675 1000 al

Mudbound

The film invites us to observe its characters, to hear their inner voices, to see what they see and to challenge our own preconceived notions…

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Chaz's Journal Archives
Other Articles
Channel Archives

Reviews

Leaving

Leaving Movie Review
  |  

The French are considered, especially by themselves, to be expert in the art of romance. Their films about love are often adult, thoughtful, perceptive and observant. To preserve that reputation, they should have refused an export license to “Leaving.” Here we have characters who couldn't figure their way out of a Dr. Phil show.

We begin with the premise that sexual passion is sufficient to compel a French woman in her 40s to abandon her husband and two children, her home, her profession, her reputation and her credit cards in order to recline in the arms of a Spanish handyman who is an ex-con with no funds. He must be very handy indeed. She experiences love at first sight, a coup de foudre.

Advertisement

Suzanne (Kristin Scott Thomas) is in a loveless marriage with Samuel (Yvan Attal), a doctor. He is proper and polite, expects his meals on time, takes pride in his possessions and agrees to remodel a room in one of their outbuildings so she can resume her practice of reflexology. Ivan (Sergi Lopez) turns up to perform this task, and soon they are reflexing to the same drummer.

Oh, it is love. Mad, heedless love. She can hardly wait to confess to her husband, because she cannot lie. Perhaps this compulsion can be understood because Suzanne is British. It explains something about the two nations that in the U.K., people sometimes have tea between 5 and 7, and in France, they sometimes have cinq à sept, which you're going to have to look up for yourself. Suzanne could have avoided much unhappiness if she had only been able to keep a secret.

Suzanne is not only impetuous, but doesn't seem to know her husband very well. Samuel isn't a good sport. He demands his wife back. She should get out in that kitchen and rattle those pots and pans. He cuts off her allowance, freezes the bank account, cancels the credit cards, pulls strings to make both Ivan and Suzanne unemployable, and otherwise inconveniences them.

This makes no difference. In Ivan's arms, she's like a teenager with her first boyfriend. He takes her to visit a ruined stone cottage on a remote hillside, and Suzanne dreams that they'll build a little love nest. Ivan keeps a cool head. He usually has good advice. He's in love, but he's not nuts. Now with Suzanne, I knew that you could get galloping pneumonia, but I hadn't heard about getting a case of galloping erotomania.

Still, I want to say a word in praise of Kristin Scott Thomas. She is a splendid actress. Because she's perfectly bilingual, she finds challenging roles in France while Hollywood would reduce her to playing Magical Women. (These are like Spike Lee's Magical Negroes, wise and kind characters who have nothing to do in the plot but stand around being wise and kind.)

Sometimes in the past Thomas has seemed to be, well, a little brittle. Here in “Leaving,” she is warm, soft and lovable. When she cuddles Ivan, he purrs. Scott Thomas walks around in jeans and a T-shirt and has that Isabelle Huppert lifelong little girl look. She's good. Pity about the movie.

Advertisement

Popular Blog Posts

Why I Stopped Watching Woody Allen Movies

Stop watching movies made by assholes. It'll be OK.

Tears of a Machine: The Humanity of Luv in "Blade Runner 2049"

No character in “Blade Runner 2049” is more relatably human than Luv.

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

“Call of Duty” and “Wolfenstein” Redefine the Modern WWII Game

A review of two of the biggest games of 2017, a pair that use World War II in very different ways.

Reveal Comments
comments powered by Disqus