Features
In Defense of Peggy's Silence in Martin Scorsese's The Irishman
I have come to appreciate silence not as a sign of weakness or capitulation, but as a finely sharpened dagger that finds its way to the heart, every time.
I have come to appreciate silence not as a sign of weakness or capitulation, but as a finely sharpened dagger that finds its way to the heart, every time.
Tomris Laffly on the staff pick for the 3rd best film of the 2010s, Joel & Ethan Coen's Inside Llewyn Davis.
The implementation of AB5 and its 35-article cap would certainly give everyone an equal lack of opportunity, but for disabled writers it would stymie their one outlet for a fulfilling job they can be passionate about.
A look at the 20th anniversary of Boys Don't Cry.
A look at the complex state of Brazilian cinema.
After 22 years, Gattaca is still a plausible, thoughtful tale of discrimination, disability, and worth set in a world where at one point genetic editing must have had good intentions.
Audry’s work challenged social constructs dictating how a woman should behave and desire, in part motivated by how she was treated within the industry.
An ode to the movies starring, about, and influenced by The Beatles in honor of Danny Boyle's Yesterday.
“All About My Mother” represents a clear apotheosis in Almodóvar’s career.
I don’t think Godzilla: King of the Monsters will give us singing twin fairies, but I hope it remembers that there is power in protection, not just destruction.
