In terms of provocation, Beuys could certainly provoke viewers into reading a book on its subject instead.
Olivia Collette has been deconstructing movies since she realized some of her friends were willing to humor her. She has a thing for Laxmi Chhaya dance routines, a crush on Fellini, and a non-negotiable fear of zombie flicks. Based in Montreal, Olivia has written for various print and online publications, including the Montreal Gazette, World Film Locations: San Francisco, Sparksheet, Indiewire’s Press Play blog and the Spectator Arts Blog. She discusses pop culture at Livvy Jams and dissects our inconsistent obsession with body image on The Scrawn. If you see Olivia at Ebertfest, make sure to have your song ready, because she’s totally dragging you to Karaoke.
If there's one thing that's consistently omitted from most Disney fairy tale adaptations, it's abject horror. They certainly make up for it by giving us terrific villains (Maleficent still haunts me), but a lot of the foul and gory details are left out.
Fairy tales aren't meant to be enchanting; they're supposed to be cautionary, terrifying even. Stories with female protagonists--like Cinderella and especially Snow White--reflect aging housewives' fears of being usurped by younger, stronger, fertile women.
With the exception of "The Matrix" and the odd documentary, movies tend to pay only lip service an architect's job. "Sleepless in Seattle's" Sam Baldwin is an architect, but he might as well be a meat-packer. The movie is a romantic comedy with little room for anything but serendipity. It takes us to a couple of architectural landmarks, but not because Sam's profession compels him to.
So naturally, I was curious to know what the architectural community thought of "Inception," where the discipline is actually effectual. I was a bit disappointed to discover that while architectural journalists were entertained by the film, they didn't care much for its buildings. James Benedict Brown calls Ariadne "a dependable square," Aaron Betsky says her work is "banal," and David Neustein finds that Cobb and Mal's dream city is "hardly a honeymoon destination."