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Brittany Runs a Marathon

Far from being just a simple comedy about fitness and weight loss, Brittany’s journey includes the healing and forgiveness it takes to really meet those…

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Overcomer

Overcomer isn't for an audience that cares about being told a story. It's aimed at an audience that doesn't mind too much if a story…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Matt Fagerholm

Matt Fagerholm

Matt Fagerholm is an Assistant Editor at RogerEbert.com and is a member of the Chicago Film Critics Association. He
spent four years writing film reviews and interviews for
HollywoodChicago.com and has contributed to a variety of publications
including Time Out Chicago, The A.V. Club and Magill's Cinema Annual. His writing/editing experience includes serving as Assistant A&E Editor at the Columbia Chronicle and a full-time writer at the Woodstock Independent. He is a monthly guest on Vocalo radio's The Morning AMp program, and is also the founder of Indie Outlook, a blog and podcast featuring
exclusive interviews with some of the most exciting voices in modern
independent filmmaking. Follow him on Twitter at @IndieOutlook and @mattfagerholm.

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Adam
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Give Me Liberty

(2019)

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Adam

(2019)

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Tel Aviv on Fire

(2019)

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Share

(2019)

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At War

(2019)

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Sea of Shadows

(2019)

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The Plagiarists

(2019)

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The Edge of Democracy

(2019)

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Echo in the Canyon

(2019)

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J.T. LeRoy

(2019)

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Stuck

(2019)

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The Chaperone

(2019)

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Giant Little Ones

(2019)

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Everybody Knows

(2019)

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The Unicorn

(2019)

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Who Will Write Our History

(2019)

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Bathtubs Over Broadway

(2019)

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When Jeff Tried to Save The World

(2018)

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Life and Nothing More

(2018)

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Liyana

(2018)

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Summer '03

(2018)

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Tea with the Dames

(2018)

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Bel Canto

(2018)

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Five Fingers for Marseilles

(2018)

#346 January 22, 2019

Matt writes: In honor of the nominees being announced this morning for the 91st Academy Awards ceremony, let's analyze perhaps the most important "Oscar movie" of all time, "A Star Is Born." Bradley Cooper's awards contender is the fifth screen version of the story, and though it is a remarkable achievement in its own right, the best of them all still remains George Cukor's 1954 masterpiece starring Judy Garland in the greatest performance of her career.

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#345 January 8, 2019

Matt writes: In our first Ebert Club newsletter of 2019, I am joining my publisher Chaz Ebert, editors Brian Tallerico and Matt Zoller Seitz, and fellow assistant editors Nick Allen and Nell Minow in wishing you a Happy New Year!

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