
TV/Streaming
Turkey Day TV Ain’t What It Used To Be
A piece on Mystery Science Theater 3000's "Turkey Day Collection."
Glenn Kenny is the editor of A Galaxy Not So Far Away: Writers and Artists On 25 Years of ‘Star Wars’ (Holt, 2002) and the author of Robert De Niro: Anatomy of An Actor (Phaidon/Cahiers du Cinema, 2014). His writings on the arts have appeared in a wide variety of publications, which include the New York Times, the Los Angeles Times, Rolling Stone, the Village Voice, Entertainment Weekly, Humanities, and others. From the mid-1990s to the magazine’s 2007 folding, he was a senior editor and the chief film critic for Premiere. There he commissioned and edited pieces by David Foster Wallace, Tony Kushner, Martin Amis, William Prochnau, and other well-regarded writers. He also wrote early features on such soon-to-be-prominent motion picture figures as Paul Thomas Anderson and Billy Bob Thornton. He currently contributes film reviews and essays to RogerEbert.com and to Vanity Fair Online, Decider, the Criterion Collection website, and other outlets. He has made numerous television and radio appearances and appears as an actor in Steven Soderbergh’s 2009 film The Girlfriend Experience, and Preston Miller’s 2010 God’s Land. He was born in Fort Lee, New Jersey and has been a resident of Brooklyn since 1990; he lives in that borough with his wife.
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A piece on Mystery Science Theater 3000's "Turkey Day Collection."
A piece on two new Shirley Clarke restorations, "Portrait of Jason" and "Ornette: Made in America".
A piece on the work of Walerian Borowczyk.
A review of the Blu-ray/DVD box set, "Bill Morrison: Collected Works."
Catching up with Treat Williams and William Forsythe on the NYFF screening of and Blu-ray release of "Once Upon a Time in America."
An interview with legendary film critic David Thomson about the latest edition of "The New Biographical Dictionary of Film."
There’s something unique in writer/director Linklater’s approach to verisimilitude, and it’s particularly interesting in contrast with other films with which “Boyhood” shares a kinship.
Joe Swanberg is not only not going away but he's entering a new phase of his career.
An interview with Larry Blamire on the "Lost Skeleton" trilogy.
Is art a mirror of reality? Should it be?