The Photograph is an enjoyable enough love story, and sweet enough to indulge in during a holiday dedicated to candy hearts.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Legend has it that Joe Pesci is an actor today because Robert De Niro was watching the late show and saw Pesci in some horror movie that should have been cut up to make ukulele picks. This was in 1979. De Niro and Martin Scorsese were looking for someone to play the brother in "Raging Bull." They called Pesci for an interview, which was just as well for his career, because he had decided to retire from acting and try something that paid money. In the 12 years since then, Joe Pesci has developed into one of the two or three best character actors in American movies, not to mention winning the Academy Award.
"There are actually a lot of similarities between how I was raised and how Maclean was raised - especially involving the idea of reaching a state of grace through doing something perfectly."
LOS ANGELES -- Any kid can play a war hero. But it takes a real man to play a busted-down real estate salesman. Al Pacino has been preparing for years for a role like Ricky Roma, one of the losers in "Glengarry Glen Ross," and as Ricky looks around the shabby office that represents his world, you can see the anger in his tired eyes. Perhaps that rage was once the fire of zeal, joy, dedication. Now it simply reflects his refusal to be counted out.
TORONTO -- Billy Crystal's new film is about a stand-up comedian who doesn't have a good feel for his room. He has, in fact, a reckless
I always knew Woody Allen worked close to the bone, but I never realized how close until I attended a screening of his new film, "Husbands and Wives," at the end of a week of public controversy over his behavior as a partner, lover, father and friend.
Woody Allen and Mia Farrow were two of my special heroes in the movies, both on and off the screen, and now I am going to lose one of them, and perhaps both.
CANNES, France -- His new album is "The Times, They Are A-Changin' Back." His hit single, launched with a video on MTV, is "They Complain and Complain and Complain." Bob Roberts is the folk-singing, populist right-wing senatorial candidate for Pennsylvania, running against an aging Kennedy liberal. He doesn't give speeches; he sings songs.
There is the temptation to write this article from the obvious angle, which is that Robert Altman, the perennial Hollywood maverick and outsider, has skewered the establishment with his savage new comedy named "The Player." There would be some truth there.
Conventional wisdom has it that the Motion Picture Academy likes to honor Feel Good films with its Oscars. Gritty and violent movies may be nominated for the best picture award, but the winner will be a movie that embraces traditional values and leaves us with a warm glow. That theory has certainly held true over the past 10 years, during which the only really Feel Bad movie that won as best picture was "Platoon." I do not count such Feel Good About Feeling Bad movies as "Terms of Endearment."
Q. Which film is gonna win?