Wild Rose
Wild Rose may sound like a familiar tune, but you’ve never heard it performed quite like this.
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The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
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More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
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Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
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Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
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Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
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"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
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The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
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A collection of tributes to Roger from various sources.
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The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
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Rachel Bloom on Saying Goodbye to Crazy Ex-Girlfriend, Emmy Campaigning and More
An interview with the multi-talented Rachel Bloom about the end of her show, Crazy Ex-Girlfriend.
HBO’s Years and Years is Fascinating Vision of the Future
A review of BBC and HBO's excellent Years and Years.
If I Had an Emmy Ballot 2019
Who and what you should nominate for Emmys this year.
Cinepocalypse 2019: Into the Dark: Culture Shock
A report from Cinepocalypse 2019 on the latest Into the Dark film, Culture Shock.
Cinepocalypse 2019: The Gory and Glorious Return of Tammy and the T-Rex
One of the more singular moviegoing experiences that I can recall attending.
Bright Wall/Dark Room June 2019: An Essay on Magic Mike XXL by Isabel Cole
An essay about Magic Mike XXL, as excerpted from the Bright Wall/Dark Room issue about thirst traps.
Cinepocalypse 2019: Kindred Spirits, The Swerve
Reviews from Cinepocalypse of two world premieres, including the latest by horror director Lucky McKee.
A Beautiful Challenge: Guy Vandenberg and Steve Williams on 5B
An interview with Guy Vandenberg and Steve Williams, subjects of Paul Haggis and Dan Krauss' documentary, 5B.
An Ode to Pedro Almodovar's All About My Mother on Its 20th Anniversary
“All About My Mother” represents a clear apotheosis in Almodóvar’s career.
Franco Zeffirelli: 1923-2019
The famed director of Romeo & Juliet, La Traviata, Jesus of Nazareth and more passed away this weekend at the age of 96.
