The Kid Who Would Be King
The Kid Who Would Be King is good where it counts most.
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The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
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More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
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Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
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Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
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Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
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"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
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The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
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A collection of tributes to Roger from various sources.
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The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
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Sundance 2019: 20 Films We Can’t Wait to See in Park City
A preview of the 2019 Sundance Film Festival.
Resident Evil 2 Remake Keeps Franchise Legacy Alive
A review of Resident Evil 2, Capcom's must-play for an entirely new generation.
Ebert Fellows Confirmed for Sundance 2019
An article confirming the Ebert Fellows for the Sundance Institute selected for covering the Sundance Film Festival, January 24-February 3, 2019.
Elaine May's Mikey & Nicky Ready for Rediscovery on Criterion Blu-ray
The astounding and virtually unclassifiable movie from Elaine May gets the Criterion treatment.
The Favourite, Roma Lead 2019 Oscar Nominations
A full list of the nominations for the 2019 Academy Awards.
Final Predictions For the 2019 Oscar Nominations
What will lead the way tomorrow morning? Let us look into our crystal ball.
Arrow Releases First Must-Own Blu-ray of the Year in Crimson Peak
A review of the new Limited Edition Blu-ray release of Crimson Peak.
MoMA’s To Save and Project Restoration Festival to Screen Cane River
An article about MoMA's To Save and Project Restoration Festival and its January 18th screening of "Cane River."
Jon Bernthal’s Incredible Work Gets Lost in the Second Season of Netflix’s The Punisher
A review of the second season of Netflix's The Punisher.
The Lion in Winter
A piece from a Far-Flung Correspondent on The Lion in Winter.
