
“Suits: LA” Is Dumb, Glossy Nothingness
“Suits: LA” is pleasant enough, soothing even, but you better bring your own things to think about, because it offers nothing more.
“Suits: LA” is pleasant enough, soothing even, but you better bring your own things to think about, because it offers nothing more.
An objectively beautiful series filled with awe-inspiring landscapes and handsomely depicted wildlife whose existence is flattened by a repetitive approach.
If this was released in its original form, then I would be proud to call “Win or Lose” a home run.
It’s not a disaster, but it won’t stand out enough in the TV garden.
Stands out as a thrilling and heartfelt examination of race and class in 19th-century London.
The intensity of this season has an immense impact on its characters, and although they unfortunately suffer, it makes for some of the best television of the year.
Its final five installments are classic “Cobra Kai”—melodramatic, cheesier than a charcuterie board, and deeply affectionate towards its sprawling dojo of misfits.
Might be my favorite season yet.
The romance feels real, kinetic, in the way only new relationships can.
Links to reviews of the biggest titles on Netflix this month.
It’s a show produced by algorithms and focus groups, a product with no pulse whatsoever.
It’s truly the best animated iteration of Peter Parker since “The Spectacular Spider-Man.”
A consistently easy watch, only feeling hollow in retrospect. It moves quickly enough that you don’t really notice it’s not nutritionally satisfying. Sometimes that doesn’t matter.
There is no point to CBS’s utterly stale procedural “Watson.”
It feels like the action is more severe, and the stakes in “The Night Agent” have also been raised.
Ultimately, this new attempt at a conspiracy thriller is myopically preoccupied with appearing smarter than it is.
The core four actors feel like the only people not sleeping through these scenes.
It is entirely possible that both actors on “On Call” are actually talented; they just don’t have much to do.
A manipulative tale of survival, as tasteless as it is hollow.
“Shifting Gears” won me over easily.