Ghost Elephants
Mesmerizing from the first moment to the last, yet another title of note in what remains one of the most incredible filmographies of our time.
Mesmerizing from the first moment to the last, yet another title of note in what remains one of the most incredible filmographies of our time.
It’s clever again, emotional again, and surprising again.
Season 2 of Apple TV’s hit delivers on the promise of its freshman outing.
“The Gray House” keeps us involved, from the opening scene-setter through the obligatory coda telling us what happened to the main characters who were based on real-life historical figures.
A consistently funny show that could stand alongside Carlock’s previously acclaimed creations.
An important part of quality is understanding the audience, moment, and subject matter. “CIA” does none of that.
There are a few pulpy delights here and there, but this particular apocalypse moves a bit too slowly.
“Strip Law” just isn’t funny.
“The Last Thing He Told Me” only works if you can suspend disbelief and just go with the fact that these are both the smartest/most-talented people you’ve ever met and the stupidest.
The third season of “The Night Agent” is arguably the best.
A return that feels almost like what the show would look like now if it never left the air.
Nothing about this series feels cheap, which is surprising given that Ryan Murphy produces it.
The show unspools into a run-of-the-mill crime thriller.
The AMC hit continues to be one of the best shows on TV.
Feels like an alternate universe live-action “Scooby Doo,” and just like your weird suburban neighbors, that’s oddly satisfying to watch.