“Star Wars: Skeleton Crew” Takes Aim at Younger Viewers
Skeleton Crew is fun in ways that Star Wars hasn’t been lately.
TV/Streaming
Senna
It all comes down to Leone, whose committed turn patches some of the many holes in the show’s engine.
Colman Domingo Propels Phenomenally Entertaining “The Madness”
Netflix has a great thriller to make you thankful today in “The Madness.”
Sweethearts
Jordan Weiss’s feature debut “Sweethearts” has its charming moments but feels uneven overall.
Maria
In a queenly performance of poise and mystique, Angelina Jolie plays Callas with an ethereal presence.
Our Little Secret
“Our Little Secret” is a fun, mostly family friendly Christmas screwball comedy with Lohan working in the comedic mode she does best.
Sharp, Propulsive “The Agency” Should Appeal to Fans of Spy Fiction
“The Agency” owes a great debt to John Le Carre. This is a compliment.
Solid Acting Saves the Familiar Premise of “Get Millie Black”
A TV review of HBO’s Meet Millie Black.
Bread & Roses
Mani reminds the viewer that as long as such young minds hungry for freedom, justice and education exist and make noise, the patriarchy has something real to fear.
Spellbound
A largely forgettable venture that families will watch during Thanksgiving break before the Netflix algorithm buries it forever.
Ted Danson Stars in Lovely, Moving “A Man on the Inside”
Mike Schur has reunited with his Good Place star Ted Danson for a lovely, charming, human comedy.
Surveilled
Farrow is an ideal centerpiece presence for “Surveilled,” because he’s both a good reporter and a crisp communicator.
Jimmy O. Yang Shines in Excellent “Interior Chinatown”
A sharp, stylish commentary on the lack of Asian representation in ’90s media.
Taylor Sheridan’s Well Runs Dry in “Landman”
A review of the new show from the creator of Yellowstone, Mayor of Kingstown, and Tulsa King.
Elton John: Never Too Late
If you’re familiar with the outlines of John’s life, you won’t be surprised by the major milestones.
