Apple TV+’s Daring, Unpredictable Sunny is Summer TV Standout
Rashida Jones and Hidetoshi Nishijima star in an unexpectedly creative hit for Apple TV+ this Summer.
TV/Streaming
Apple TV+’s Land of Women is Pretty and Pleasant
It’s comfy like an old sweater without much of a lesson or moral to get in the way of its overarching sense of warmth.
Orphan Black: Echoes Stumbles Under the Weight of Its Predecessor
Orphan Black is back! Sorta.
Slave Play. Not a Movie. A Play.
Harris takes an avant-garde approach to his storytelling, making the film more of an exploration of his creative process than the stage play itself.
Bodkin
The story never overstays its welcome and instead unfolds into one of the most entertaining shows of the year.
Don’t Check into MGM+s Hotel Cocaine
Clearly inspired by the success of Narcos, this is a dull, dumb show.
Prime Video’s The Boys Changes Pace, Becomes the Best Version of Itself
The Boys is back. And better than ever.
Presumed Innocent Spins Riveting Mystery on Apple TV+
This is David E. Kelley working in the register he excels at: a legal thriller with just enough interpersonal relationship drama and a touch of mystery.
Hulu’s Queenie is a Masterful Study of Self-Growth
A review of the new Hulu series starring Dionne Brown from Onyx Collective.
House of the Dragon Returns with a Captivating Yet Convoluted Second Season
While season two starts strong, it eventually becomes clear that this series is at war with itself.
The Acolyte Sends Star Wars Into a Galaxy Far, Far In the Past
There’s potential in this series and its slower, more contemplative direction, even as it peppers in one martial arts-infused Jedi fight after another.
Ren Faire
While Oppenheim’s series sometimes feels a little over-directed and over-heated, that kind of makes sense for the world of Renaissance Fairs, where what some might dismiss as comedy is taken very, very seriously.
Home Entertainment Guide: May 2024
The latest and greatest on streaming and physical media, including Criterion editions of Girlfight, Peeping Tom, and All That Breathes, along with a fantastic Arrow 4K of Joe Carnahan’s Narc.
We Are Lady Parts is TV at its Finest
Peacock’s We Are Lady Parts is back and it’s still one of the best shows on TV.
Netflix’s Tires Should Have Fans of Shane Gillis Rolling
Getting fired from SNL was the best thing that ever happened to Shane Gillis.
Fantastic Start to Fourth Season of Evil Maintains Creepy Quality
Evil is back for what looks like its final full season. It’s still phenomenal. And totally weird.
Netflix’s Bridgerton Makes Some Improvements to its Popular Formula
Bridgerton is back! And a few things have changed for the hit Netflix show.
Fated for All: Romanclusivity Captures Our Hearts in Bridgerton and Beyond
Inclusivity isn’t new in romantic drama, even if Bridgerton has made it a big part of the conversation again.
Prime Video’s Outer Range Opens Up in a Hole New Way in Season 2
Season 2 takes a few missed steps toward the confounding, but commits deeper to the show’s own weirdness.
Heeramandi: The Diamond Bazaar Wastes Its Lavish Potential
The latest Netflix international hit isn’t very good.
