Hulu’s “La Máquina” Delights with Campy Darkness
Two artists, at the height of their craft, making something fun and new.
TV/Streaming
The Platform 2
It probably would’ve been better if “The Platform 2” had simply remained locked away.
HBO’s “The Franchise” Takes Satirical Aim at the MCU
A review of a new HBO series from the creator of Veep and The Thick of It.
“The Last Days of the Space Age” is a Mess of a Missed Opportunity
A review of the new Hulu original series about the ’70s space race in Australia.
Will & Harper
It’s affecting in its low-key way, thanks to the chemistry of its title personalities.
Transcending Hell on Earth in Larisa Shepitko’s “The Ascent”
A look at an underrated Russian film, now on the Criterion Channel.
Netflix’s “Nobody Wants This” Sadly Lives Up To Its Title
A romantic comedy series short on both romance and comedy.
Penelope
Much like its titular character, you end up swallowed up by the quiet majesty of what’s in front of you.
Zack Snyder’s Animated Netflix Epic “Twilight of the Gods” Aims for Valhalla, Lands at Mediocre
Whatever you’re looking for from your next adult animation binge—profundity, thrills, shock—you’re not likely to find it from Zack Snyder.
“Matlock” Remakes a Classic with Humor and Moral Force
A review of the reboot of Matlock, starring Kathy Bates.
“Agatha All Along” Wastes Supernatural Powers of an Excellent Cast
A TV review of the frustrating latest in the MCU TV division.
Colin Farrell Turns Gotham Into “The Sopranos” with HBO’s Thrilling “The Penguin”
Lauren LeFranc’s take on the Gentleman of Crime soars, or rather waddles, past its competitors in eight short episodes.
American Sports Story: Aaron Hernandez
Even though American Sports Story has compelling drama to tap into, it never exceeds the level of a Lifetime series.
Natasha Rothwell Finds New Life in Hulu’s Winning “How to Die Alone”
Natasha Rothwell is a fantastic leading lady who seems poised for meatier, more comic star roles like this.
Starz’ “Three Women” Stumbles Through Its Tale of Stifled Female Passion
While it sounds like the perfect setup for an introspective miniseries, “Three Women” instead feels like a show burdened by the impact of its source material.
FX’s “The Old Man” Starts to Lose Its Step in Season Two
Season two of The Old Man is a more compelling character drama than anything else it’s trying to be.
Peacock’s “Fight Night” Largely Entertains But Pulls A Few Punches
A review of the new star-studded Peacock mini-series.
